Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
then gone, having waited this long to bolt
like a ball of light that breaks from the skin
of the sun; that explodes then dies. Like so,
observed through special telescopes, that is.
Lit from the front, the faces we wear
are masks, and bare hands hang down from their cuffs
like lamps. Heat to our hearts, but we each feel
the bite of frost from the nape of the neck
to the heels, a cold current through the spine
despite a hugging of duds: Russian dolls—
two shirts, three jumpers, jacket, anorak,
topped by an uncle’s outsize overcoat.
A lending of heat and light to the air
but splinters of ice in our hands and hair.
Nothing to swing the weather vane, no breeze,
but down an avenue of silent trees
a dog walks a man through a rain of leaves.
Far detail: a goods-train hauling road-stone
wheel-spins at a set of signals. Diesel.
An hour later, though, the fire deep-seated,
up to speed, at full tilt. A garage roof,
bituminous, slides forward in the heat.
A window pops from its frame. A small girl
paddles in the puddle of her own boots,
melted to her feet. A man with an oar
comes forward from the crowd with a bauble
or a silver orb on its outstretched blade—
a cooking apple cased in baking foil—
which he expertly lays at the white heart
of the flames. “For eating, later,” he says,
then stabs the fire and swipes the leading edge
of the burning oar no more than an inch
or so from the hat on the balding head
of his brother-in-law. Then shoulders it,
carries it like a banner, turns around,
and then ditches it, pitches it forward;
the sharp end finds the earth, digs in, goes out.
A grown man singes his eyebrows and screams.
And a wet dog sings in a cloud of steam.
A man who is blind walks down from his hill,
through the woods, having sensed a form of light
on his face when he raised his head, and heard
convected cinders raining on his roof.
A decent blaze, he says, but a shadow
of those in the past, of course, in the days
when smoke was mistaken for night, when fires
would singe an eyebrow from a mile away
or roast a chestnut hanging on its branch
or brown the skin through several layers of clothes.
One year his sister wore a floral blouse;
the next that she knew she was tanned with shapes
of bluets, goosefoot and morning glory.
Fires so full of the sun that each brought on
a second spring, an autumn flowering
of lilies, sesame and panic grass
and feverfew. And sickle senna too.
Another year a farmer drove a herd
of bullocks through the flames, and some came through
unscathed, but others fell, and ribs and steaks
were there to eat for those who wanted them.
But worst, the season he remembers most,
when seven children in a paper chase