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Contents ( 112)
  1. Dedication
  2. Epigraph
  3. May 19, 2015, 5:59 A.M.
  4. Home
  5. 1 | Karina
  6. 2007
  7. 2 | Jaya
  8. 2008
  9. 3 | Keith
  10. April 2009
  11. 4 | Jaya
  12. May 2009
  13. 5 | Karina
  14. June 2009
  15. 6 | Prem
  16. 7 | Jaya
  17. June 2009
  18. 8 | Karina
  19. June 2009
  20. 9 | Keith
  21. June 2009
  22. 10 | Karina
  23. July 2009
  24. 11 | Jaya
  25. July 2009
  26. 12 | Karina
  27. August 2009
  28. 13 | Keith
  29. August 2009
  30. 14 | Karina
  31. January 2010
  32. 15 | Keith
  33. May 2010
  34. 16 | Karina
  35. 2011–2013
  36. 17 | Prem
  37. Away
  38. 18 | The Olanders
  39. September 2013
  40. 19 | Karina
  41. September 2013
  42. 20 | Karina
  43. January 2014
  44. 21 | Keith
  45. August 2014
  46. 22 | Jaya
  47. August 2014
  48. 23 | Prem
  49. 24 | Karina
  50. September 2014
  51. 25 | Karina
  52. October 2014
  53. 26 | Karina
  54. October 2014
  55. 27 | Karina
  56. November 2014
  57. 28 | The Olanders
  58. December 2014
  59. 29 | Prem
  60. Sanctuary
  61. 30 | Karina
  62. January 1, 2015
  63. 31 | Karina
  64. January 2, 2015
  65. 32 | Karina
  66. January 3, 2015
  67. 33 | The Olanders
  68. February 2015
  69. 34 | Karina
  70. February 2015
  71. 35 | Prem
  72. 36 | Serotina
  73. February 2015
  74. 37 | Serotina
  75. March 2015
  76. 38 | The Olanders
  77. April 2015
  78. 39 | Serotina
  79. April 2015
  80. 40 | Serotina
  81. April 2015
  82. 41 | Serotina
  83. April 30, 2015
  84. 42 | Keith
  85. May 5, 2015
  86. 43 | Serotina
  87. May 16, 2015
  88. 44 | Jaya
  89. May 16, 2015
  90. 45 | Serotina
  91. May 17, 2015
  92. 46 | Serotina
  93. May 18, 2015
  94. 47 | Prem
  95. Found
  96. 48 | The Olanders
  97. May 19, 2015, 12:30 P.M.
  98. 49 | The Olanders
  99. May 2016
  100. 50 | Prem
  101. Acknowledgments
  102. P.S. Insights, Interviews & More . . .*
  103. About the Author
  104. Meet Shilpi Somaya Gowda
  105. About the Book
  106. Behind the Book
  107. Read On
  108. An Excerpt from The Golden Son
  109. Praise for The Shape of Family
  110. Also by Shilpi Somaya Gowda
  111. Copyright
  112. About the Publisher

“Everyone else at school does their own thing on the weekends. I just want to spend my time the way I want,” Karina said. “And yes, earn some money—”

“You know we’ll give you spending money for whatever you need,” Jaya interjected.

“That’s not the point!” Karina banged her spade onto the ground so hard it bounced some feet away and landed near a shrub.

Jaya looked away from the anger manifesting in her daughter, dug her gloved hands deep into the bag of potting soil and heaped it out in front of her. Keith felt differently about this. He thought it was good for kids to have a job, to learn responsibility and the value of a dollar. Perhaps this was another aspect of American culture that she just didn’t comprehend. “I’ll talk to your father about it, okay?”

Karina got up to retrieve the spade and returned to stabbing it in the ground, spraying soil all around her. Jaya reached for the tray of dusty millers and began wobbling one of them out of its sheath. They had started planting flowers on Karina’s birthday as a special ritual years ago, a way for Jaya to share something with her daughter, as she had shared dance with her own mother. Jaya had studied the Bharatnatyam form of classical dance from the time she was five years old, right up until she left for university. It was her mother’s way of ensuring she stayed deeply tied to Indian culture no matter where they lived. When they were in Delhi, Jaya studied with a leading teacher, but abroad, Jaya was taught by her mother, herself a dancer.

In every home in every country where Jaya’s family had lived, there hung a series of five identically framed photos of her mother standing in full costume, in various dance poses: making a flute with her hands, her long fingers forming a flower, and so on. Each time they moved to a new house, these photos were the first items to go up. The whole family participated in the ritual of seeking out the right spot for them when they arrived in Ireland, Portugal, Kuwait. Jaya came to rely on those pictures, a symbol of constancy in their ever-changing homes, a sign of her mother watching over her. Jaya used to survey those images of her mother, with dramatically flared eye makeup and elaborate silk costumes, and wonder if she would ever grow up to be as beautiful and graceful. She had loved sharing something special with her mother. Unlike Karina now, who was like the little bunny in the children’s storybook, always trying to run away from her.

“I’m not a baby anymore, Mom. I’m not a . . . kid like Prem. I can do things for myself. You don’t let me do anything. It’s not fair.” Karina stood up and dropped her spade to the ground. “I don’t even like this,” she muttered. “I hate gardening.” She shook her head and turned to walk into the house.