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Chapters (59)
  1. Cover
  2. Prologue
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Chapter Six
  9. Chapter Seven
  10. Chapter Eight
  11. Chapter Nine
  12. Chapter Ten
  13. Chapter Eleven
  14. Chapter Twelve
  15. Chapter Thirteen
  16. Chapter Fourteen
  17. Chapter Fifteen
  18. Chapter Sixteen
  19. Chapter Seventeen
  20. Chapter Eighteen
  21. Chapter Nineteen
  22. Chapter Twenty
  23. Chapter Twenty-One
  24. Chapter Twenty-Two
  25. Chapter Twenty-Three
  26. Chapter Twenty-Four
  27. Chapter Twenty-Five
  28. Chapter Twenty-Six
  29. Chapter Twenty-Seven
  30. Chapter Twenty-Eight
  31. Chapter Twenty-Nine
  32. Chapter Thirty
  33. Chapter Thirty-One
  34. Chapter Thirty-Two
  35. Chapter Thirty-Three
  36. Chapter Thirty-Four
  37. Chapter Thirty-Five
  38. Chapter Thirty-Six
  39. Chapter Thirty-Seven
  40. Chapter Thirty-Eight
  41. Chapter Thirty-Nine
  42. Chapter Forty
  43. Chapter Forty-One
  44. Chapter Forty-Two
  45. Chapter Forty-Three
  46. Chapter Forty-Four
  47. Chapter Forty-Five
  48. Chapter Forty-Six
  49. Chapter Forty-Seven
  50. Chapter Forty-Eight
  51. Chapter Forty-Nine
  52. Chapter Fifty
  53. Chapter Fifty-One
  54. Chapter Fifty-Two
  55. Two Weeks Earlier
  56. A Letter From Jackie
  57. Acknowledgements
  58. About the Author
  59. Also by Jackie Walsh

The weight of the crèche bag drags on my shoulder, getting heavier and heavier as the years go by. I thought when the nappy stage ended things would get a lot easier. But no. Now they have to have a change of clothes for this, a T-shirt for that, a pair of slippers for something else. Ensuring they get full marks from their minders takes a lot of organization.

I follow the boys, rummaging in my handbag for the key. Before locating it, the door opens. Taking both boys under his arms, Tom swings them down the hallway into the kitchen.

‘What’s for dinner?’ he asks, placing Cian and Aaron down, so they can scurry off into the playroom.

What’s for dinner? Is the man gone mad? What about the cops, Tom? Is he going to continue like nothing has happened? Pretend two policemen didn’t just walk out of the house. Maybe he thinks I didn’t see them. That’s it, he thinks they were gone before I pulled up in the car. I’ll say nothing, give him the benefit of the doubt, he might be waiting for me to take my coat off before he drops the bomb.

I’m wrong again. Two hours have passed and he still hasn’t mentioned the fact that the police were at the house. With the boys fast asleep in bed and Amber at Sarah’s, he’s had ample opportunity. I even tried to introduce the subject, asking how his day went? Was he feeling okay after the accident on Sunday? But Tom just gave the usual information-free replies. At one point he seemed a little jittery, like he wanted to say something but couldn’t. Maybe he just doesn’t want to bother me if it’s not important. Maybe he’s mad that I went ahead and phoned in about the intruder. Shit, I don’t know what to think, but I’ll wait until Amber is home and in bed before mentioning it.

I don’t have to. He brings the topic to the table and in a tone that makes me nervous. Tom is holding my hand, sitting beside me on the sofa, looking into my eyes. His expression is unfamiliar: concern? Fear? I’m not sure, but the man is definitely about to tell me something I don’t want to hear and I’m worried. Amber had no sooner closed the bedroom door when he asked me to sit down.

‘There’s something I have to tell you,’ he says.

So here I am, sitting, waiting for my world to be turned upside down. There is no other explanation for the scene setting. This is serious. Losing all my money was serious too, but that bombshell was disclosed in front of the kids, out in the garden like he was commenting on the disappointing results of a football match. This, I’m afraid, is a lot more critical.