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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

Such new writing would be recorded on flesh that had no memory and would demand a far greater amount of bloodshed, marking the beginning of a world that was no longer largely uninhabited, no longer with vast expanses of wilderness, but overrun and overexploited by the excesses of civilization.

Aldebert von Chamisso, poet and botanist, journeyed the world with Count Nikolai Rumyantsev. Their ship, the Rurik, arrived one day at an island that was not marked on the maps. On landing, they soon imagined they were the first foreign crew to have set foot in those parts. The natives proved docile. They worshipped an idol. Chamisso was allowed to see it. A woman smiled out from a framed etching. Chamisso recognized her wonderful face as that of Juliette Récamier, in a painting by Jean-Baptiste Isabey. He asked how that etching had been washed up on the island, but to no avail. The natives wouldn’t say: they considered it blasphemy to talk about the origin of the gods.

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Eulogius

A gnostic history, which we lack, is largely made up of what Louis Massignon termed intersignes, portents, coincidences (as historians describe them, in order to ignore them), erratic forms, buried relics, physiognomic marks, latent constellations in the sky of thought.134 Metternich and Charles Nodier were educated at Strasbourg within a few years of each other, under the shadow of Eulogius Schneider, the erudite and sanguinary Capuchin monk. And, once again in Strasbourg, Metternich took fencing lessons from the same master who had instructed Bonaparte. Nodier tells how his father, “who had a passion for classical studies, had decided to make a scholar of me”—and using his own personal method.135 By the age of ten, his son could read the Latin authors with an ease he would never later regain. But now he had to move on to Greek. And so he was entrusted to Schneider, with whom his father had been in correspondence as “the learned publisher of a German Anacreon.”136 The young Nodier, a bookish dreamer, discovered that his tutor was a tyrant “driven to the ultimate consequences by the logic of extermination.”137 His revolutionary society, La Propagande, practiced appalling hatred, at the tail end of that “long pink-footed idyll that had been the eighteenth century.”138 Dragged before the spectacle of the guillotine, Nodier listened to one of Schneider’s followers from La Propagande speaking “with a choice of expressions so charmingly frightening, with an anacreonism so desperate that I could feel a cold sweat trickling down my forehead and bathing my eyelids.”139 Metternich had had a tutor “whose name is consecrated to the malediction of Alsace”: he would become a member of Eulogius Schneider’s revolutionary tribunal.140 And his professor of canon law, on becoming constitutional bishop of Strasbourg, would appoint the same Eulogius Schneider as vicar general. Schneider then “recanted religion and his episcopacy and, in a revolutionary orgy, publicly burned the emblems of his office.”141 Metternich, in recalling those two godless masters more than fifty years later, while writing a fragment of his memoirs for his family archive, was eager to point out, however, that they had “never forced me to change my opinions.”142