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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

Since the social machine entirely replaces the machine of the stoicheīa toū kósmou, nature itself and its elements (which until then had been the quintessential receptacles of power) have to be totally stripped of their authority and made indifferent to each other since they have “no value,” they are not energized by that primal breath that has now shifted to human labor.

Commodity means something that is additional to immediate use, which implies a destruction of the immediate, but its reutilization in a further process (exchange value is transformed into use-value). Its basis is an improper use of the object, in the same way that metaphor is an improper use of the word. Once the object acquires the secondary character as a commodity, then the essence of the commodity is such that the object turns out to be primarily a commodity, namely exchange value—and only at a given moment (after circulation and purchase) is it an object of use. This is an inversion produced by exchange, but every exchange is based upon it, except where the circulation takes place in the same body. And the body of the community is irreversibly harmed, in the exchange process, by contact with the body of another community. The derived characteristics that strike against the origin, undermine it, sweep it away in their interplay—while still appearing to be derived—are also distant, liminal characteristics (the first exchange is between community and community, on the border), which then strikes back within the community, “with disruptive action.”478

The excluded commodity is a commodity that becomes a universal equivalent and therefore adds to its own particular use-value a second kind of use-value, which it now acquires from being a general equivalent. The excluded commodity becomes a desirable object insofar as it is equivalent to the exchange. Apart from particular desires for individual objects, there is a universal desire for exchange: “the commodity singled out as the universal equivalent, is now an object of a universal need arising from the very process of exchange, and it has the same use-value to everybody, viz., that of serving as the depository of exchange value, of being a universal means of exchange.” By the detour of the excluded commodity we have arrived as far as identifying a general object of desire, a measuring unit of use—and this, absurdly, is the universal possibility of exchange. The heart of desire is not an object, but the possibility of exchanging objects.479

The whole theology of commodities is a process at the end of which the exchange value is transformed back into use value: this process is the delay—Freud’s Aufschub—that generates the whole phantasmagoria of the commodity, “the separation of purchase and sale.”480 And this separation is the generic form of schism and duplicity, which “breaks down the limits of the organic social interchange, which are locally rooted and rendered sacred by tradition and foolish sentiment.”481 It is “the general form taken by the rupture and separation of all elements which in that social interchange were once united.”482 It is the impossibility of innocence. The same can be said of the word, insofar as it is detached from its correspondence, its kinship, its affinity with what it represents, above all insofar as it is fixed in a simulacrum—writing—which is entirely extraneous to the body, and establishes itself as an incorruptible and independent existence, in the same way as the “money-crystal” does.483