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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

“First of all, there is a limit, not inherent to production generally, but to production founded on capital.” From this he deduces that “capital is not, as the economists believe, the absolute form for the development of the forces of production.”485 But that “absolute form” exists: this is Marx’s dream, as Hilbert’s dream will be complete axiomatization. No Gödel stepped in to put him right.

“We have already seen that the sphere of circulation has a gap in it, through which gold (or silver, or the money material in general) enters as a commodity with a given value.”486

The “gap” is self-reflection. Among all objects there is always one that represents the representation of objects. And that single object is enough to compromise the order of all the others that have gone before it.

“A thing can be a use-value without being a value.487 This is the case whenever its utility to man is not mediated through labor. Air, virgin soil, natural meadows, unplanted forests, etc., fall into this category.” From this paradox, which Marx formulates marginally in Das Kapital, is derived the articulation of a whole world. Let us follow the ceremony: the significant area has been marked out: it is the area of value. We touch its substance, which is labor. We search for its unit of measure, which is work-time (this, so far, is Ricardo). We observe its character, which is abstract labor, sans phrase (a crucial addition by Marx): an empty notion, which serves to seal the system at every point: “la différence est le langage sensible de la ressemblance—difference is the perceivable language of likeness)” (Marcel Schwob). By affirming the uniformity of elements, it eliminates the immeasurable—just as, in Saussure, the arbitrary nature of the sign (en principe) allows language to exist as a system; in the same way that, in Freud, the phallus is the primary signifier that allows exchanges of libido to occur, and to be calculable. In the end, this system based on emptiness reproduces the totality of nature: but this time it is nature that is processed, matured by the alchemical process of production (of commodities, of signs, of ghosts).

The potlatch is based on the impossibility of equal exchange: the exchange has to be unequal. Reciprocity is ruled out, since it is a perpetual deception. Equivalents exist only in the inverted world of initiates, since initiates communicate in a shared epiphany.

Equal exchange is mystical exchange—that of twins, of transparent speech. The machine of capitalism imposes mystical exchange as usual exchange. “Twins have the right, equal word.488 They have the same value. They are the same thing. The man who sells, the man who buys, they too are the same thing. They are twins.”

The fetishistic character of commodities can be considered in two ways: as a deceptive superstition that persists in the everyday secular world or as a daily opportunity to experience the marvel of the fetish. Marx had the genius to recognize that marvel. But he felt a deep resentment to the marvelous, since he knew it was just the beginning of the terrible. And those exposed to the marvelous are unreliable, are unusable. The slightest gust from the Powers sweeps them away. It is better to put an end to the marvelous in its extreme form, smashing shop windows and devastating their goods. So Marx could offer his gift to a remarkably dull, submissive, and vibrant multitude: he could instruct them how to blow the lock off a world in which every marvel has vanished—or lies dead on the ground, where it is displayed to children as an enemy of the people.