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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

“How did Les Liaisons dangereuses come about?” ventured Tilly as soon as he saw him yield. And finally Laclos told him: a provincial daydream, the result of the long, tedious period spent on garrison duty at Grenoble. There was a fellow soldier, now a famous scientist, who had many stories about women: he was a born womanizer. Among these, a woman from Grenoble who vaguely resembles the character of the Marquise de Merteuil. They used to talk, and Laclos sometimes gave him advice on what moves he should make. He had also collected many other stories over the years, his poison chest: all he had to do was transpose them into the right setting, Paris. That’s how it happened, more or less. Laclos broke off—and came to an abrupt end: “I improved the style as best as I could, and after a final few months’ work I let my book loose on the public.52 Since then I’ve heard almost nothing about how it’s doing, though they tell me it’s still alive.”

At that time, in the same way that Valmont had “worked” Cécile Volanges, Laclos was still “working” the Duc d’Orléans, in whom many people saw a terrifying Valmont of politics. From London, the Duke sent letters on strategy that he diligently copied from the drafts of his counselor Laclos. What crystalline intoxication it is to be the man who moves the man who is thought to move the conspiracy of the Revolution! From the military solitude of the Île de Ré, where Les Liaisons had been created, he had reached the delirium of the spider who thinks it can cover the world with its web! A few months later, Laclos claimed he was secretly moving not only the Duc d’Orléans but also the Jacobin Club. And it was partly true. Then the spider’s web was swept away by the torrent of events. In a box at La Scala, the artillery general Laclos looked about him, disconsolate: nothing for him was “more tedious than an Italian opera buffa, except perhaps an opera seria.”53 There, in the box of the military general staff, he was introduced to a red-cheeked dragoon, still a boy, timid and curious. Laclos’s gaze finally “softened” when he learned that this Second Lieutenant Henri Beyle was also from Grenoble.54 From one province to another, he reflected, thinking of Milan, a city for him devoid of any charm, made of roads and houses. And perhaps it was the moment to go back to writing. One plan he kept close to his heart, for his old age: to write a work dedicated to “popularizing this idea: that the sole happiness lies in the family.” It would have been no small thing: “It will be difficult to arrange events in the right way, and the almost insurmountable difficulty will be that of stirring interest without resorting to anything novelistic.”55