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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

More than the Russian campaign (the scenario for a continuing contest between powers), it is the war in Spain that holds the key (still only partially understood) to Napoleon’s secret, and prefigures the events that wait still to devastate the next chapter of history. The war in Spain is the first, victorious vendetta of weakness against strength. The grim mountain folk, “proud and filthy beggars,” who cruelly bleed the French troops and were the first “to dare to fight as irregulars against the first modern regular armies,”108 are not only the forebears of those Partisans (later guerrillas, then terrorists) who wreak havoc in every strategic and legal ambit, as Carl Schmitt has shown, but they are the precursors of a dark and terrible figure whose face is beginning to appear only now: ethnic revolt, the rejection of the West as a soft epidermis that covers all lands and is suffocating them.109 At ever closer intervals, that epidermis is slashed, as happened in Iran with the ousting of the Shah and the murderous fury of the mostazafin, the dispossessed urban poor, who take us back to the Partisans. Behind the Partisan is the Poor Man. And it is the overlapping of these two figures that creates their irresistible capacity to penetrate—as well as their self-deception: because the Partisan will tend (has always tended, without realizing it) to serve a “third interest,” which in the end subtly undermines the rebels, reducing them to its meek agents (but will it always be like this?);110 whereas the Poor Man will tend (has always tended) to seize the arms of the Rich so as to be tyrannized even more severely by other Poor Men. That venomous revolt, that rejection of the West, carried out by exploiting all the detritus of the West, all its words broken down into sharp fragments, is a belated, angry response to the project that Léon Bloy’s theological sarcasm described as “the lofty idea of a general immolation of the destitute.”111 Modernity, in its pure form, seeks to wipe out the Poor. Indeed, at its most brazen, it wants the Poor to be wiped out by the Poor themselves. So it seems appropriate that the worst massacres have taken place in Soviet Russia, where, for many years, the Poor have persecuted themselves. But in history this phenomenon—whose rumblings we are only just beginning to recognize today from every point of the horizon and which will soon invade us from within and from without—first emerged during the war in Spain. Napoleon understood the military significance of the Partisan (if only in the words “It is necessary to operate like partisans wherever there are partisans”), but he refused to accept the new power heralded by the merger between Poor Man and Partisan. And this was also why the war in Spain was such a disaster. Napoleon, in that case, was neither able nor willing to understand. He was not willing to understand because he was under the illusion suffered by those who actually know human horror: the belief that such horror is the same everywhere, and therefore that the same cold strategies that had already worked well in Italy and elsewhere should have worked in Spain. As Madame de Rémusat observed: “one of Bonaparte’s great faults … was to mix all men together, holding an equal view of them, and failing to understand the differences that ways and customs bring in their characters.”112 He failed to understand because he was himself the extension of something that, from then on, would continually spread its invulnerable gloss over the earth. The Poor Man who wants to remain as such, the Poor Man who wants just to continue to exist, who prefers his land as it is, rather than having his land developed, the “ungrateful beggar” who insults the hand that is ready to give the money: these people are the scandal, the obstacle (for Napoleon, for the world that followed him); they are the most insolent image of material resistance (therefore of “human material,” which is now the subject par excellence), of opaqueness, of impenetrability, heralding the savage revolt of the land against its swift, impatient surveyor. Napoleon can be accused of one single crime, observed Bloy, who had no fear of risking the blasphemous mixture of Légende and Vulgate: he introduced “a famous code where it is taken for granted that the poor do not exist.”113 Not only that: he had dared to say: “I consider it of great importance and a great idea of glory to destroy beggary.” The bloody repercussions of that act have not yet ended: “Beggary is forbidden.114 He had canceled out the Poor Man and that was his crime—which was then perpetuated.”