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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING
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The Antiromantic Child

There are certain fools endowed with genius whose every sentence vibrates, almost unwittingly, with a fateful metaphysical resonance. They are delegated by a whole civilization with the task of making certain crucial and authoritative pronouncements that no one else wishes to express in such blunt terms. For us, such a man was Jeremy Bentham, a true hero of Ahnungslosigkeit, a man with no perception of the Powers:

“Directly or indirectly, well-being, in one shape or other, or in several shapes, or all shapes taken together, is the subject of every thought, and the object of every action, on the part of every known Being, who is, at the same time, a sensitive and thinking Being.”444

“Money is the instrument of measuring the quantity of pain or pleasure. Those who are not satisfied with the accuracy of this instrument must find out some other that shall be more accurate or bid adieu to politics and morals.

“Let no man therefore be either surprised or scandalized if he find me in the course of his work valuing everything in money.445 ’Tis in this way only can we get aliquot parts to measure by. If we must not say of a pain or a pleasure that it is worth so much money, it is in vain, in point of quantity, to say anything at all about it, there is neither proportion nor disproportion between Punishments and Crimes.”

“The only common measure the nature of things affords is money.”446

“I beg a truce here of our man of sentiment and feeling while from necessity, and it is only from necessity, I speak and prompt mankind to speak a mercenary language.”447

“Now then, money being the current instrument of pleasure, it is clear by uncontroverted experience, that the quantity of actual pleasure follows in every instance in some proportion or other the quantity of money.”448 This proportionality between money and pleasure is declared, only for it to be explained immediately after that it cannot be precisely determined:

“In large sums the ratio of pleasure to pleasure is in this way less than a ratio of money to money.449 There is no limit beyond which the quantity of money cannot go: but there are limits, and those comparatively narrow, beyond which pleasure cannot go.”

We are therefore faced with the paradox of a unit of measure expressed with complete certainty, but which cannot in fact be applied each time, since the variation of circumstances also continually varies the proportion between the two series (money and pleasure). And if a law can be established in such a correspondence, it will be that which states a different ratio in the progression between the two series.

The crucial steps:

a) to establish the need for a unit of measure;

b) to express it in money;

c) to trace the limited back to the unlimited.

Bentham destroys the correspondence, observing the different ratio between the two series, but reaffirming it immediately after: with this device he excludes all areas where the problem of limit arises (the great pleasures and the great sums) in order to suggest that the normal, regular, and legal range is precisely that where the proportion is still respected, hence the range of small pleasures and small sums: “For all of this, it is true enough for practice with respect to such proportions [variant: small quantities] as ordinarily occur, that ceteris paribus the proportion between pleasure and pleasure is the same as between sum and sum.”450 For society to be well ordered, it will have to regard great pleasures as hostile and troublesome in relation to the whole. But not because they conceal the power of the unlimited. On the contrary: because they would compel us to recognize that the power of the unlimited is concealed in money itself.