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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

Here we surprise the great anthropologist while he is blaming a religious ceremony for speaking about something “nonexistent,” which is “divinity.” Why such intemperance? Perhaps we are nearing the threshold where Lévi-Strauss feels the “savage mind” is becoming too “savage” and no longer worthy of being called “mind.” The analysis is paralyzed by a feeling of horror continui. And the language is suddenly no longer that of passionate description, but of rejection—almost, one might say, for moral reasons. Such thinking must not be thought. Eventually he comes close to insult, with a shrug of the shoulders of an upright, taxpaying citoyen: “To express this difference in level between totemism and sacrifice it is not, then, enough to say the former is a system of reference and the latter a system of operations, that one works out a schema of interpretation while the other sets up (or claims to set up) a technique for obtaining certain results: that one is true, and the other is false.411 Rather, to put it precisely, classificatory systems belong to the levels of language: they are codes which, however well or badly made, always aim to make sense. The system of sacrifice, on the other hand, represents a private discourse wanting in good sense for all it may frequently be pronounced.” The conclusion of anthropological science would therefore be that sacrifice is a discourse “wanting in good sense.”

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Goethe’s Birthday

At Karlsbad—there for the waters—he listened “with tears in his eyes” as Angelica Catalani sang “Kennst du das Land” at the home of Prince Josef Schwarzenberg, until her voice broke in a fit of jealousy.412 He wrote to his son, August, that the inhabitants now behaved like pirates toward visitors. “In any case, everything is much more expensive and becomes even more so with each passing day by reason of the exchange rates.”413 Approaching his sixty-ninth birthday, he felt the forces of his entelechy were now urging him toward “repeated puberty,” a long Indian summer.414 He wanted to celebrate alone, in solitude. Eduard Genast recounts: “Karl, Goethe’s faithful servant, was ordered on the morning of August 27 to bring up two bottles of red wine and place them on the two windowsills in front of him. After which Goethe begins pacing up and down the room, pausing at regular intervals, first at one window, then the other, emptying a glass each time. Some time later, Rehbein, who had traveled with him to Karlsbad, arrives.415

GOETHE: What a dear friend you are! What’s the day today, what date is it?

REHBEIN: It’s August 27, Excellency.

GOETHE: No, it’s the twenty-eighth, it’s my birthday.

REHBEIN: But no, I’d never forget that; it’s the twenty-seventh.

GOETHE: You’re wrong. It’s the twenty-eighth.

REHBEIN firmly: The twenty-seventh.

GOETHE rings, enter Karl: What’s the date today?

KARL: Twenty-seventh, Excellency.

GOETHE: What the … Bring me the calendar!

Karl brings the calendar.

GOETHE after a long pause: Damnation! Then I’ve got myself drunk for nothing.”