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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Having rid herself of her craving for manual labour, she headed towards what she believed would be the definitive loss of her personality, an irrelevant loss, after all, since every day the lightning-like brilliance of her Partner enriched her and simultaneously obliterated her. For her own amusement, and, in a certain sense, out of a pathetic celebratory pleasure, she started to visit museums and famous churches again, to go regularly to libraries where as a girl she had spent entire days drunk from reading obscure literature and delving into random research. The renewed pleasure of engaging in these activities soon included an active desire to pay secret homage to the great scholar whose name she shared. Scrutinizing old texts, and occasionally finding signs – pencil scribbles in the margins – of her own work as a student, she was stunned by some of her own interpretations. Raising her eyes from the page, she became lost in evoking quasi-optical images of mad warriors, wily monks, plundered cities, dense virgin forests. The historians, the medieval poets, the ugly mugs of Barbarians and Huns fascinated her, but she understood that regrettably none of this was of any use, all of it just a fairy tale she would recount to no one.

Although she was reluctant to engage in relationships of pure convenience, her husband eventually introduced her into the society of artists, writers and poets. Among them she was determined by all to be the beautiful and aloof Mrs X. Whenever in this illustrious company, she was careful not to mention her youthful achievements. But what, in fact, did she actually have to boast about? Certainly not her university studies, or her work as a substitute teacher in high schools, and even less about the few articles she’d published in academic journals. The wives she met were young and vivacious, with some knowledge of literature, art and above all music. None of them had ever worked, but they knew a lot of people and were able to converse with ease. These women did not like her much, but seemed so seductive and intrepid that, almost defensively, she tried her best to improve her appearance, applying light make-up in the hope of not entirely disappearing among all those beauties. The probability was high that her husband could fall for a woman more attractive, more ‘interesting’ than she. Should that happen, there was nothing to do but resign herself to it without thinking of the future. Jealousy is a luxury allowed only to a woman once adored. Her jealousy flashed like lightning, silent and quick. When she was a teenager, she had been obsessed by a classmate who seemed a prodigy of gracefulness. She was sure that the boy she idolized was also smitten with this girl, and he was right to be. In some sense, by proxy, she loved her too. She would never have dared to compare herself with that alabaster face, that smooth coal-black hair, that tall, thin person with an undulating gait. But I am more intelligent, she consoled herself, though she was shattered. The danger passed, and perhaps it had never existed, but now, anticipating that sooner or later something more serious would happen, she tried to reassure herself by studying the effects her own attractiveness had on men. She was incapable of flirting, flattering, acting childishly, but instead became irritated, ironic, caustic. And yet, sometimes she could imagine herself being ‘served’ by a melancholy, yet respectful, dutiful knight. Didn’t her disconsolate early love give her the right to some sweetness? Wasn’t it fair that having given so much without receiving, she should now receive without giving?