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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

In a drawer, she found an old postcard-sized photograph, a document of an almost majestic unhappiness, the heraldic undertaking of an accepted defeat. She remembered the empty hours during the autumn in which she was terribly free; it made no difference to her if she stayed home or went out, if she was alone or with a friend. An acquaintance passing through town, a public park, an amateur photographer (who was he?), the latter a necessity because the inevitable is concretized in an image. The acquaintance chattered on unheard; adoring and adored, the puppy, on a leash, followed his temporary mistress with tiny steps. The shadows under the trees favoured, as in a half-sleep, tenuous hopes; perhaps the deal won’t stick, to deprive her of the animal would be too cruel. He had said: ‘Give him back to me whenever you want, sometime during the week before Christmas.’ She’d hoped he’d forget the whole thing; the wretched cling to anything. If he lets me keep Toby, we could meet again, if only to play with the puppy. She knew she was deluding herself, but didn’t dare deny herself this little reprieve.

She had sewn Toby a ruff made out of Scottish silk, a kind of Spanish golilla. ‘Adorable,’ people would say, stopping to admire and stroke him. She would never have guessed that those compliments were really a pretext for erotic adventure. She was out of that game, she no longer existed. She had been surprised when the young photographer asked her to pose on that rustic bench (‘Just you, please, something for me to remember you by, Miss’). And then she understood: the honour of becoming a stranger’s souvenir was the sum of her fate. She’d picked up the puppy and consented meekly to the request. At least in the photograph, she reasoned bittersweetly, the little Maltese dog would be hers forever. She sat down, hugged him to her chest and stared at the trees – the golden leaves, the sun’s rays at the very tops of the pines – with an almost religious devotion so as not to forget anything about this already memorable moment. The puppy was not all that mattered to her just then; she sensed that she had arrived at a unique moment of reckoning with herself, a reckoning with the ‘Miss’ who was about to sign away her future. She seemed to have inadvertently prepared for this ceremony: gone were the usual delicate colours, replaced by wisely appropriate dress, a dark suit trimmed with silk ribbon, almost a guarantee of professional seriousness. Her great mass of hair, however, was gathered beneath a cherry-red velvet turban, the one provocation she had permitted herself. Legs crossed and leaning slightly forward, she holds in her gloved hands the white Maltese, his mug hiding her neck. A disenchanted, slightly ironic smile, barely visible in the impending twilight, wanders across her face and says no to youth. Her lips thin, but do not part to reveal her teeth. From the depths of her wide eyes rises an ominous darkness that hides her emptiness, stills her sadness. ‘A masterpiece,’ exclaims the photographer. But she had stood up, saying one photo was enough.