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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I went into a bar, asked for a phone token, dialled the number of the police station in the area. A blonde at the counter was looking at me, but I had other things on my mind. A southern voice answered, asking for the number of the licence plate, and assuring me that they would investigate. But for now all I could do was go home.

There was no one left on the Corso at that dead hour between eight and nine, when people are having dinner and haven’t yet emerged for the evening’s entertainment. Only the streetwalkers are out, bolder now, hips swaying, majestic as galleons. That night they were even humming; a couple spoke to me but I kept going. The windows of Rinascente, the Galleria: in front of the cafés some painted women, sitting with their knees on display. La Scala, with the usual merry-go-round of trams, taxis, cars.

But I didn’t feel like waiting for the tram on the narrow traffic island, in line with motionless, tense people. Trams went by, full of tired and drawn faces. I kept walking on Via Verdi, turned into Monte di Pietà, then along Via Cusani. Going off to the left was Via Rovello, with the Piccolo Teatro (to which I have a subscription) at the end and in the middle the regular prostitutes, the usual handful, the same for the past ten years, in position, like vultures. Since at that point the street is dark, they solicit you out loud, and if you don’t answer they insult you. I passed by almost at a run.

Maybe in that bar in Largo Cairoli … But there was no one. I stood there a while, looking at the posters outside the Olimpia, the photos at Le Roi, then I headed towards the castle. Farther on, the gates of the park were locked, and around it, at regular intervals, other women loiter. There are some pretty ones, and I didn’t fail to look at them, and let them know I was looking. But none answered: in that area there are no hotels nearby, so the streetwalkers accept only clients with cars.

I thought of my car, stolen, so without hesitation I cut across towards the bridge over the Ferrovie Nord tracks. There are always some young people in blue jeans and soldiers loitering there, talking and laughing. But as soon as they saw me they went silent and began to look at me. I seemed to hear a psst-psst. I went down the steps with my heart in my throat, and now I was in Via Venti Settembre. At one time certain hookers used to be stationed there, but I noticed that after the murder of Maria Maglia, who worked precisely in that area, they don’t stick around after dark.

My feet began to hurt and a cold wind had risen. I was worried about my sinusitis, but still I kept walking. After the barracks on Via Mascheroni there is a dark avenue that borders the dirt road next to Leone XIII, a school for priests; it also has a large theatre that shows movie-club films (I’ve been a few times, because Father Nazzareno Taddei is an intelligent person, I’m the first to acknowledge it). And right there are thousand-lire women, who usually get in the car but will also agree to follow you on to the dirt road beyond the barbed-wire fence, which is broken in one spot.