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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

His extraordinary insolence was mitigated solely by his distant gaze; I nevertheless felt the desire to stand up and walk out on him then and there. Fortunately I had the time to reflect that the fault lay in my rashness. I stayed, and the impassive senator immediately passed to counterattack. ‘And you then, why patronize this Erebus full of shades and, as you say, catarrh sufferers, this locus of failed lives? In Turin there’s no shortage of those creatures your sort finds so desirable. A trip to the Castello hotel in Rivoli, or to the baths in Moncalieri and your squalid aspiration would soon be fulfilled.’

I began to laugh at hearing such a cultured mouth offer such precise information about the Turinese demimonde. ‘But how do you come to know about such places, Senator?’

‘I know them, Corbera, I know them. Anyone spending time with politicians or members of the Academic Senate learns this, and nothing more. You will, however, do me the favour of being convinced that the sordid pleasures of your sort have never been stuff for Rosario La Ciura.’ One could sense that it was true: In the senator’s bearing and in his words there was the unmistakable sign of a sexual reserve (as one said in 1938) that had nothing to do with age.

‘The truth is, Senator, it was precisely my search for some temporary refuge from the world that first brought me here. I’d had trouble with two of just the sort of women you’ve so rightfully condemned.’

His response was immediate and pitiless. ‘Betrayed, eh, Corbera? Or was it disease?’

‘No, nothing like that. Worse: desertion.’ And I told him about the ridiculous events of two months earlier. I spoke of them in a light, facetious manner; the ulcer on my self-regard had closed, and anyone but that damned Hellenist would have teased me or possibly even sympathized. But the fearful old man did neither; instead he was indignant.

‘This is what happens, Corbera, when wretched and diseased beings couple. What’s more, I’d say the same to those two little trollops with respect to you, if I had the revolting misfortune to meet them.’

‘Diseased, Senator? Both of them were in wonderful shape; you should have seen how they ate when we dined at Gli Specchi. And as for wretched, no, not at all: Each was a magnificent figure of a young woman, and elegant as well.’

The senator hissingly spat his scorn. ‘Diseased, I said, and made no mistake. In fifty, sixty years, perhaps much sooner, they will die; so they are already now diseased. And wretched as well. Some elegance they’ve got, composed of trinkets, stolen sweaters and sweet talk picked up at the movies. Some generosity too, fishing for greasy banknotes in their lover’s pockets rather than presenting him, as others do, with pink pearls and branches of coral. This is what happens when one goes in for those little monstrosities with painted faces. And were you all not disgusted – they as much as you, you as much as they – to kiss and cuddle your future carcasses between evil-smelling sheets?’