Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
‘Goodbye, Caracas,’ I thought I heard him murmur, ‘Goodbye! You were too pitiable!’ And then suddenly and quite audibly: ‘The fire! The fire! She too must end up in the fire.’ He crossed himself – with his left hand, of course. Then, when he had picked up all those shrivelled rags, even climbing on the furniture so as not to miss any, he threw them straight on the fire in the hearth, where they began to burn slowly and with an excessively unpleasant smell. Nikolai Vassilevitch, like all Russians, had a passion for throwing important things in the fire.
Red in the face, with an inexpressible look of despair, and yet of sinister triumph too, he gazed on the pyre of those miserable remains. He had seized my arm and was squeezing it convulsively. But those traces of what had once been a being were hardly well alight when he seemed yet again to pull himself together, as if he were suddenly remembering something or taking a painful decision. In one bound he was out of the room.
A few seconds later I heard him speaking to me through the door in a broken, plaintive voice: ‘Foma Paskalovitch, I want you to promise not to look. Golubchik, promise not to look at me when I come in.’
I don’t know what I answered, or whether I tried to reassure him in any way. But he insisted, and I had to promise him, as if he were a child, to hide my face against the wall and only turn round when he said I might. The door then opened violently and Nikolai Vassilevitch burst into the room and ran to the fireplace.
And here I must confess my weakness, though I consider it justified by the extraordinary circumstances. I looked round before Nikolai Vassilevitch told me I could; it was stronger than me. I was just in time to see him carrying something in his arms, something which he threw on the fire with all the rest, so that it suddenly flared up. At that, since the desire to see had entirely mastered every other thought in me, I dashed to the fireplace. But Nikolai Vassilevitch placed himself between me and it and pushed me back with a strength of which I had not believed him capable. Meanwhile the object was burning and giving off clouds of smoke. And before he showed any sign of calming down there was nothing left but a heap of silent ashes.
The true reason why I wished to see was because I had already glimpsed. But it was only a glimpse, and perhaps I should not allow myself to introduce even the slightest element of uncertainty into this true story. And yet, an eyewitness account is not complete without a mention of that which the witness knows with less than complete certainty. To cut a long story short, that something was a baby. Not a flesh-and-blood baby, of course, but more something in the line of a rubber doll or a model. Something, which, to judge by its appearance, could have been called Caracas’ son.