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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

5.

I passed many evenings thus, alone in the room, waiting for Cilia, pacing up and down or lying on the bed, absorbed in that silent emptiness as the dusk slowly deepened into dark. Subdued or distant noises – the shouts of children, the bustle of the street, the cries of birds – reached me only faintly. Cilia soon realized that I didn’t want to be bothered with her when I came home, and she would put her head out of Amalia’s room, still sewing, to hear me pass and call to me. I didn’t care whether she heard me or not, but if she did I would say something or other. Once I asked Amalia, quite seriously, why she didn’t come up to our room any more, where there was plenty of light. Amalia said nothing; Cilia looked away and her face grew red.

One night, for something to say, I told her about Malagigi and made her laugh gaily at that funny little man. Then I added: ‘Fancy him making a fortune and going to China! I wish it had been me!’

‘I should like it, too,’ Cilia sighed, ‘if we went to China.’

I gave a wry grin. ‘In a photograph, perhaps, if we sent one to Malagigi.’

‘Why not one for ourselves?’ she said. ‘Oh, George, we haven’t ever had a photograph of us together.’

‘No money.’

‘Do let’s have a photograph.’

‘But we oughtn’t to afford it. We’re together day and night, and anyway I don’t like photographs.’

‘We are married and we have no record of it. Let’s have just one!’

I did not reply.

‘It wouldn’t cost much. I’ll pay for it.’

‘Get it done with Amalia.’

Next morning Cilia lay with her face to the wall, her hair over her eyes. She would not take any notice of me, or even look at me. I caressed her a little, then realized she was resisting me, so I jumped out of bed in a rage. Cilia got up, too, washed her face and gave me some coffee, her manner quiet and cautious, her eyes downcast. I went away without speaking to her.

An hour later I came back again. ‘How much is there in the savings book?’ I shouted. Cilia looked at me in surprise. She was sitting on the stool, unhappy and bewildered.

‘I don’t know. You’ve got it. About three hundred lire, I think.’

‘Nearly three hundred and sixteen. Here it is,’ I flung the roll of notes on the table. ‘Spend it as you like. Let’s have a high old time! It’s all yours.’

Cilia stood up and came over to face me. ‘Why have you done this, George?’

‘Because I’m a fool. Listen! I’d rather not talk about it. When money is in your pocket it doesn’t count any more. D’you still want that photograph?’

‘But, George, I want you to be happy.’

‘I am happy.’

‘I do love you so much.’

‘I love you, too.’ I took her by the arm, sat down, and pulled her on my knee. ‘Put your head here, on my shoulder.’ My voice was indulgent and intimate. Cilia said nothing and leaned her cheek against mine. ‘When shall we go?’ I asked.