Back The New House
Chapters (81)
  1. Cover
  2. Praise for Tess Stimson
  3. Dedication
  4. part one
  5. chapter 01
  6. chapter 02
  7. chapter 03
  8. chapter 04
  9. chapter 05
  10. chapter 06
  11. chapter 07
  12. chapter 08
  13. chapter 09
  14. chapter 10
  15. chapter 11
  16. chapter 12
  17. chapter 13
  18. chapter 14
  19. chapter 15
  20. chapter 16
  21. chapter 17
  22. chapter 18
  23. chapter 19
  24. chapter 20
  25. chapter 21
  26. chapter 22
  27. chapter 23
  28. chapter 24
  29. chapter 25
  30. chapter 26
  31. chapter 27
  32. chapter 28
  33. chapter 29
  34. chapter 30
  35. chapter 31
  36. chapter 32
  37. chapter 33
  38. chapter 34
  39. chapter 35
  40. chapter 36
  41. part two
  42. chapter 37
  43. chapter 38
  44. chapter 39
  45. chapter 40
  46. chapter 41
  47. chapter 42
  48. chapter 43
  49. chapter 44
  50. chapter 45
  51. chapter 46
  52. chapter 47
  53. chapter 48
  54. chapter 49
  55. part three
  56. chapter 50
  57. chapter 51
  58. chapter 52
  59. chapter 53
  60. chapter 54
  61. chapter 55
  62. chapter 56
  63. chapter 57
  64. chapter 58
  65. chapter 59
  66. chapter 60
  67. chapter 61
  68. chapter 62
  69. chapter 63
  70. chapter 64
  71. chapter 65
  72. chapter 66
  73. chapter 67
  74. chapter 68
  75. part four
  76. chapter 69
  77. ACKNOWLEDGEMENTS
  78. Keep Reading …
  79. About the Author
  80. By the same author:
  81. About the Publisher

The stairwell is unlit. Using the torch on my phone, I grope my way carefully down the dangerously steep flight of concrete steps, one hand on the rough stone wall for balance. When I reach the bottom, I find the cellar floor is beaten earth, the ceiling so low I have to dip my head to avoid hitting it on the old beams. It must be an ancient root cellar. I can’t imagine it’s been used in years.

‘Peter?’ I call again. ‘Stacey?’

I cast my torch around me. The cellar is about ten feet square, and there’s nothing in it but a few broken tools. Everything is covered with a thick layer of dust and cobwebs. It looks like no one’s been here in decades.

I almost miss it at first, concealed as it is by a partial collapse of the ceiling, but then I see it: another door directly opposite the stairs. Two heavy bolts at top and bottom have been pulled back from their locks. Drag marks scored in the earthen floor show it’s been opened, and very recently.

My heart pounds as I grab the doorknob and pull. It’s black as pitch in here: without the daylight spilling down the stairs from the house above, this room is even darker than the root cellar. My field of vision is restricted to the narrow circle illuminated by my phone torch. But I can feel cold air on my face: there must be a vent or duct to the outside somewhere.

I yelp as my shin makes contact with cold metal, and swing my phone down.

‘Oh, dear Christ,’ I whisper.

Felix is still alive, stretched out on a bare, stained mattress atop a narrow metal bed frame. He shrinks back from the sudden glare of light, turning his head away with a gargled yelp.

I drop to the floor beside him. ‘It’s going to be OK,’ I tell him. ‘I’m here now. I’m going to look after you. I’ll get you out of here.’

The bottom half of his face is oddly black, and it takes me a moment to realise it’s not dirt but dried blood. The stench coming off him tells me he’s been lying here in his own filth for weeks: I can smell not just urine and excrement, but the sickly-sweet decay of sores and infected wounds.

His pulse is weak and thready, but it’s there. He tries to speak, but the most he can manage is a thick, choking sound. His eyes bulge frantically. I hook my finger in his mouth, trying to clear his airway. When I remove it, several of his teeth spill into my hand.

‘Dear God,’ I mutter, appalled.