Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
The stairwell is unlit. Using the torch on my phone, I grope my way carefully down the dangerously steep flight of concrete steps, one hand on the rough stone wall for balance. When I reach the bottom, I find the cellar floor is beaten earth, the ceiling so low I have to dip my head to avoid hitting it on the old beams. It must be an ancient root cellar. I can’t imagine it’s been used in years.
‘Peter?’ I call again. ‘Stacey?’
I cast my torch around me. The cellar is about ten feet square, and there’s nothing in it but a few broken tools. Everything is covered with a thick layer of dust and cobwebs. It looks like no one’s been here in decades.
I almost miss it at first, concealed as it is by a partial collapse of the ceiling, but then I see it: another door directly opposite the stairs. Two heavy bolts at top and bottom have been pulled back from their locks. Drag marks scored in the earthen floor show it’s been opened, and very recently.
My heart pounds as I grab the doorknob and pull. It’s black as pitch in here: without the daylight spilling down the stairs from the house above, this room is even darker than the root cellar. My field of vision is restricted to the narrow circle illuminated by my phone torch. But I can feel cold air on my face: there must be a vent or duct to the outside somewhere.
I yelp as my shin makes contact with cold metal, and swing my phone down.
‘Oh, dear Christ,’ I whisper.
Felix is still alive, stretched out on a bare, stained mattress atop a narrow metal bed frame. He shrinks back from the sudden glare of light, turning his head away with a gargled yelp.
I drop to the floor beside him. ‘It’s going to be OK,’ I tell him. ‘I’m here now. I’m going to look after you. I’ll get you out of here.’
The bottom half of his face is oddly black, and it takes me a moment to realise it’s not dirt but dried blood. The stench coming off him tells me he’s been lying here in his own filth for weeks: I can smell not just urine and excrement, but the sickly-sweet decay of sores and infected wounds.
His pulse is weak and thready, but it’s there. He tries to speak, but the most he can manage is a thick, choking sound. His eyes bulge frantically. I hook my finger in his mouth, trying to clear his airway. When I remove it, several of his teeth spill into my hand.
‘Dear God,’ I mutter, appalled.