Back The New House
Chapters (81)
  1. Cover
  2. Praise for Tess Stimson
  3. Dedication
  4. part one
  5. chapter 01
  6. chapter 02
  7. chapter 03
  8. chapter 04
  9. chapter 05
  10. chapter 06
  11. chapter 07
  12. chapter 08
  13. chapter 09
  14. chapter 10
  15. chapter 11
  16. chapter 12
  17. chapter 13
  18. chapter 14
  19. chapter 15
  20. chapter 16
  21. chapter 17
  22. chapter 18
  23. chapter 19
  24. chapter 20
  25. chapter 21
  26. chapter 22
  27. chapter 23
  28. chapter 24
  29. chapter 25
  30. chapter 26
  31. chapter 27
  32. chapter 28
  33. chapter 29
  34. chapter 30
  35. chapter 31
  36. chapter 32
  37. chapter 33
  38. chapter 34
  39. chapter 35
  40. chapter 36
  41. part two
  42. chapter 37
  43. chapter 38
  44. chapter 39
  45. chapter 40
  46. chapter 41
  47. chapter 42
  48. chapter 43
  49. chapter 44
  50. chapter 45
  51. chapter 46
  52. chapter 47
  53. chapter 48
  54. chapter 49
  55. part three
  56. chapter 50
  57. chapter 51
  58. chapter 52
  59. chapter 53
  60. chapter 54
  61. chapter 55
  62. chapter 56
  63. chapter 57
  64. chapter 58
  65. chapter 59
  66. chapter 60
  67. chapter 61
  68. chapter 62
  69. chapter 63
  70. chapter 64
  71. chapter 65
  72. chapter 66
  73. chapter 67
  74. chapter 68
  75. part four
  76. chapter 69
  77. ACKNOWLEDGEMENTS
  78. Keep Reading …
  79. About the Author
  80. By the same author:
  81. About the Publisher

Did he know what Stacey was planning to do when he slipped silently out of the house that night? Was she waiting for him outside in her stolen car? I find it hard to imagine she’d want a ten-year-old boy along for the ride, but the two of them have been drawn to each other from the day they met. It sounds ridiculous: a child and a grown woman, a successful woman, a mother herself. But there’s a darkness between them, a kinship, that makes me fearful. Harper says the intense bond between them creeps me out and I can’t say I disagree with her. Together, they’re far more dangerous than either of them would be alone.

I think of murderous pairings like Myra Hindley and Ian Brady. They brought out the psychopathic worst in each other, committing vicious, sadistic crimes together that were almost inconceivable in their brutality. Would they have tortured and murdered children had they been acting alone? They recognised something of themselves in each other, something misshapen and ugly and deformed, and drew strength from that black affinity.

Age isn’t a barrier to this sort of evil partnership: the killers of toddler James Bulger, abducted from a shopping centre before being tortured to death and abandoned on a railway line near Liverpool, were just ten years old themselves at the time.

Exactly the same age my son is now.

I cast my mind back to the morning five weeks ago when Stacey came to our house with a black eye, the same day Tom asked her to babysit Peter. It was only a few days after my son had tried to drown hers in the swimming pool at the Hurlingham Club. I remember every instinct warning me of danger! but my fear was for Stacey, not Peter. It never occurred to me for a split second that the threat was not to either of them, but from both of them.

Two days later, Felix Porter disappeared.

If my son was partly responsible, if he’s kept this dreadful secret for five weeks – and I know better than most people the secrets children are capable of keeping from their parents: they know all of ours, but we know none of theirs – then I have to help him, because sooner or later Stacey will tire of her game of cat and mouse, and then his life won’t be worth spit. Because despite her denials, I’m quite certain Stacey has killed Felix. And now I’m equally sure Peter helped her.

Tom knows this too, but he won’t admit it to himself, much less to me. He insists Stacey’s lying: that it can’t have been Peter in the car with her. Which means he doesn’t have to choose between saving our son or saving the world from him: he abdicates that bitter responsibility to me.