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Contents (57)
  1. Prologue
  2. One
  3. Two
  4. Three
  5. Four
  6. Five
  7. Six
  8. Seven
  9. Eight
  10. Nine
  11. Ten
  12. Eleven
  13. Twelve
  14. Thirteen
  15. Fourteen
  16. Fifteen
  17. Sixteen
  18. Seventeen
  19. Eighteen
  20. Nineteen
  21. Twenty
  22. Twenty-One
  23. Twenty-Two
  24. Twenty-Three
  25. Twenty-Four
  26. Twenty-Five
  27. Twenty-Six
  28. Twenty-Seven
  29. Twenty-Eight
  30. Twenty-Nine
  31. Thirty
  32. Thirty-One
  33. Thirty-Two
  34. Thirty-Three
  35. Thirty-Four
  36. Thirty-Five
  37. Thirty-Six
  38. Thirty-Seven
  39. Thirty-Eight
  40. Thirty-Nine
  41. Forty
  42. Forty-One
  43. Forty-Two
  44. Forty-Three
  45. Forty-Four
  46. Forty-Five
  47. Forty-Six
  48. Forty-Seven
  49. Forty-Eight
  50. Forty-Nine
  51. Fifty
  52. Fifty-One
  53. Fifty-Two
  54. Fifty-Three
  55. Acknowledgements
  56. About the Author
  57. Also by Sharon Gosling

‘What on earth is going on?’ Dora asked, fractious.

‘Ms McCreedy,’ her assistant wheezed, reaching them. ‘The press… There are stories – there are stories in the press—’

‘What?’ McCreedy demanded. ‘Spit it out, girl, for goodness’ sake!’

Rachel took the Herald from beneath her arm and shook it out, letting the front page unfurl in front of McCreedy’s eyes so that she could see the headline.

‘I think she means this, Dora,’ Rachel said quietly, and saw the woman’s eyes widen. ‘It’s in the nationals, too. All of them. It’ll be all over the Internet as well.’

The colour bled from McCreedy’s face as she reached out to snatch the paper. The men she’d been showing her fabled site were already leaving, every one of them hurrying down the hill and away.

‘Wait,’ she called after them. ‘This is all a misunderstanding. Let me explain. Wait!’

None of them paused, or even looked back at her.

‘Shall I call Trudy Goodwin now?’ Rachel asked, into the dawn hush. ‘See what she thinks about all this?’

Dora stared at her.

‘If you don’t leave, right now, I’ll call the police,’ Rachel said. ‘I can’t imagine that’ll go too well for you at the moment, will it? Go, Dora. You don’t have any power here. You don’t have any power anywhere, not anymore. The next time I hear about you, it’ll be reading about how long you’re going away for. You’re finished. Leave.’

Forty-Two

Once Rachel had gone, Toby went back to the kitchen and stood staring out of the window into the garden until his tea was cold. He imagined what Sylvie would say about the latest mess he’d made of his life, and decided that was a thought he could do without having in his head. It was time for him to get back to work, because if nothing else, he had proven that he still had something to offer in that department, and besides, what else was he going to do?

His phone rang and when he pulled it from his pocket, he didn’t recognize the number. He frowned at the screen for a moment, wondering if it was another paper following up on the Dora McCreedy story. He was in no fit mood to talk to anyone, but he answered anyway.

‘Hello?’

‘Mr Hollingwood?’

The voice was young, female and Scottish. Toby didn’t recognize it. ‘Yes?’

‘It’s Stephanie. Stephanie Warren. From the Great Dunbar Historical Society?’

‘Oh,’ he said, and thought he could feel her sudden awkwardness across the phone line. ‘Stephanie. Yes.’

‘I’m sorry to bother you,’ she said in a rush, ‘but it’s about the Braecoille papers.’

‘Right,’ Toby said, rubbing one hand over his eyes. ‘Well, look, that’s not really—’

‘I kind of carried on looking through them, you see,’ she went on, and he could hear the nerves in her voice. ‘I found them so fascinating that day that you came over and, well – once I started I didn’t want to stop. The very idea that I’m looking at something so old, that someone actually handled – and yes, it might be mundane, but it was part of someone’s day, like me unlocking the door to this place or filling in the visitor log, or—’