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Contents (57)
  1. Prologue
  2. One
  3. Two
  4. Three
  5. Four
  6. Five
  7. Six
  8. Seven
  9. Eight
  10. Nine
  11. Ten
  12. Eleven
  13. Twelve
  14. Thirteen
  15. Fourteen
  16. Fifteen
  17. Sixteen
  18. Seventeen
  19. Eighteen
  20. Nineteen
  21. Twenty
  22. Twenty-One
  23. Twenty-Two
  24. Twenty-Three
  25. Twenty-Four
  26. Twenty-Five
  27. Twenty-Six
  28. Twenty-Seven
  29. Twenty-Eight
  30. Twenty-Nine
  31. Thirty
  32. Thirty-One
  33. Thirty-Two
  34. Thirty-Three
  35. Thirty-Four
  36. Thirty-Five
  37. Thirty-Six
  38. Thirty-Seven
  39. Thirty-Eight
  40. Thirty-Nine
  41. Forty
  42. Forty-One
  43. Forty-Two
  44. Forty-Three
  45. Forty-Four
  46. Forty-Five
  47. Forty-Six
  48. Forty-Seven
  49. Forty-Eight
  50. Forty-Nine
  51. Fifty
  52. Fifty-One
  53. Fifty-Two
  54. Fifty-Three
  55. Acknowledgements
  56. About the Author
  57. Also by Sharon Gosling

‘That not the kind of help I need from you,’ Gilly assured her.

‘Then what have I got to do with it?’

‘I need you to sit for me,’ Gilly said.

The look on Edie’s face was a picture in itself – part astonishment, part incredulity. Gilly almost laughed.

‘Me?’ the artist said. ‘You’re going to do a portrait of me for your final piece?’

‘That’s right,’ Gilly said. ‘Although… it’s not just of you.’

‘Oh?’

‘The exam brief is that I have to produce a piece of art that reflects something important to me, and you’re not the only person who’s helped me since I’ve been here.’

Edie nodded and gave a faint smile. ‘Ahh. So is Rachel going to be part of this piece as well? That’s nice, she’ll appreciate that.’

‘No,’ Gilly said. She had already spoken to Rachel, not wanting to offend her with the exclusion. It seemed that the idea of having her likeness inscribed as a piece of art was Rachel’s idea of a nightmare, though, so to Gilly’s relief she hadn’t cared at all when the girl had explained she wouldn’t be in the piece. Rachel had been less keen when Gilly let slip her actual plan, but wasn’t really in any position to stop it going ahead. ‘No, not in this one.’

Edie frowned. ‘Well, who is it, then?’

‘Ezra,’ Gilly said. ‘I want the piece to be of you and Ezra. I’ve got this whole idea for how I want it to look.’

‘Ezra? Ezra Jones?’

‘Yes. He’s really been helping me, Edie, just as much as you have. Okay,’ Gilly admitted, ‘so he didn’t give me a place to stay. But he’s been there for my lessons and also with helping me think about what I want my life to be in the future, so—’

Edie stood up abruptly. ‘That’s fine, Gilly. It’s your art, you can do what you like. As long as you’re not expecting me to sit for this piece with him.’

‘Well… yeah, obviously I am. It won’t have to be for long,’ she said quickly, as Edie opened her mouth to say something, an angry look on her face. ‘I thought we could do a photo session.’

Edie stood over the breakfast table with her hands on her hips, looking out of the window with a scowl. ‘Are you sure there’s nothing else you want to do for this project?’ she asked.

‘No. I’ve got a really clear idea for this, and I think it fits the brief perfectly. I don’t…’ Gilly bit her lip. ‘I don’t have much in my life, Edie, you know that. This is what’s important to me. You and Ezra are important to me.’

Edie was quiet for a moment. She didn’t look at Gilly, fiddling instead with a button on her cardigan. ‘All right,’ the artist said eventually. ‘But that man had better be on his best behaviour.’

Ezra’s reaction was about the same. Gilly went to see him later that same day, pulling open the garden gate and petting Georgette as the goat bounced happily down from the boulder to greet her. Ezra was in his kitchen and opened the door when he saw Gilly arrive, inviting her in for tea and shortbread.