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Contents ( 57)
  1. Prologue
  2. One
  3. Two
  4. Three
  5. Four
  6. Five
  7. Six
  8. Seven
  9. Eight
  10. Nine
  11. Ten
  12. Eleven
  13. Twelve
  14. Thirteen
  15. Fourteen
  16. Fifteen
  17. Sixteen
  18. Seventeen
  19. Eighteen
  20. Nineteen
  21. Twenty
  22. Twenty-One
  23. Twenty-Two
  24. Twenty-Three
  25. Twenty-Four
  26. Twenty-Five
  27. Twenty-Six
  28. Twenty-Seven
  29. Twenty-Eight
  30. Twenty-Nine
  31. Thirty
  32. Thirty-One
  33. Thirty-Two
  34. Thirty-Three
  35. Thirty-Four
  36. Thirty-Five
  37. Thirty-Six
  38. Thirty-Seven
  39. Thirty-Eight
  40. Thirty-Nine
  41. Forty
  42. Forty-One
  43. Forty-Two
  44. Forty-Three
  45. Forty-Four
  46. Forty-Five
  47. Forty-Six
  48. Forty-Seven
  49. Forty-Eight
  50. Forty-Nine
  51. Fifty
  52. Fifty-One
  53. Fifty-Two
  54. Fifty-Three
  55. Acknowledgements
  56. About the Author
  57. Also by Sharon Gosling

‘Ah, there you are,’ Gilly said on Monday evening as Rachel walked through the lighthouse door. ‘I need to talk to you.’

‘It’s not about this Edie and Ezra thing, is it?’ Rachel said, wearily. ‘Please tell me it’s not.’

‘Look,’ the girl said, ‘just think about—’ The phone rang. Gilly sighed and picked it up. ‘Good afternoon, the Lighthouse Bookshop.’

Rachel smiled at the crisp tone Gilly had developed for use with customers since starting work. It was endearing, really, how seriously she took the job.

‘It’s for you,’ Gilly said, holding out the handset. ‘Alan Crosswick.’

‘Thanks, Gilly,’ Rachel said. She glanced at the clock as she took the phone and added, ‘It’s closing time. Do you want to start cashing up while I take this?’ It would be the first time the younger woman had done this job alone. Rachel saw the flash of surprise cross Gilly’s face at the suggestion, but she nodded.

‘So that’s the girl you employed at the bookshop, is it?’ Crosswick said, as Rachel made her way upstairs to the mezzanine. ‘She’s very polite.’

‘She is at work,’ Rachel laughed. ‘I think having a job like this is sanding off some of her rough edges.’

‘Well, good for her,’ said the solicitor. ‘Thank you for the images you’ve sent over of the gatehouse, they’re very useful. But listen, there’s an important reason that I’m calling right at the end of the day – I’ve just got off the phone with Cullen’s heir, Trudy Goodwin.’

‘Ahh,’ Rachel said. ‘She got your letter, then.’

‘She did. She hadn’t had a chance to open it until today – it sounds as if she’s on a punishing schedule at the hospital. Junior doctors – I don’t know how any of them survive. Or their patients, for that matter. Anyway, she was completely overwhelmed and kept asking me if there could have been some kind of mistake. Seems rather a charming young woman, all told.’ There was a brief pause, and then he sighed. ‘Look, there’s no easy way to say this, Rachel, so I’m just going to come out with it: she’s going to sell.’

‘Oh.’ The delivery of the news was so sudden and so blunt that Rachel had to take a breath. ‘I – Oh. She’s not even going to consider keeping it?’

‘She says she can’t, because if she does that, she imagines she’ll probably want to keep it, and with her circumstances it’s out of the question. The money from the sale will be utterly life-changing for her. She’s a third-year medical student with all those attendant debts, which, given that she’s at Duke, are astronomical. She’s regretful, but adamant. She wants me to put the whole estate up for sale as soon as possible.’

‘Right,’ Rachel said, feeling numb.

‘I’m sorry. I did put the case for keeping the status quo as positively as I could, but… realistically, I’m not surprised that this is the outcome and to be absolutely honest it’s the right decision for her.’