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Contents (57)
  1. Prologue
  2. One
  3. Two
  4. Three
  5. Four
  6. Five
  7. Six
  8. Seven
  9. Eight
  10. Nine
  11. Ten
  12. Eleven
  13. Twelve
  14. Thirteen
  15. Fourteen
  16. Fifteen
  17. Sixteen
  18. Seventeen
  19. Eighteen
  20. Nineteen
  21. Twenty
  22. Twenty-One
  23. Twenty-Two
  24. Twenty-Three
  25. Twenty-Four
  26. Twenty-Five
  27. Twenty-Six
  28. Twenty-Seven
  29. Twenty-Eight
  30. Twenty-Nine
  31. Thirty
  32. Thirty-One
  33. Thirty-Two
  34. Thirty-Three
  35. Thirty-Four
  36. Thirty-Five
  37. Thirty-Six
  38. Thirty-Seven
  39. Thirty-Eight
  40. Thirty-Nine
  41. Forty
  42. Forty-One
  43. Forty-Two
  44. Forty-Three
  45. Forty-Four
  46. Forty-Five
  47. Forty-Six
  48. Forty-Seven
  49. Forty-Eight
  50. Forty-Nine
  51. Fifty
  52. Fifty-One
  53. Fifty-Two
  54. Fifty-Three
  55. Acknowledgements
  56. About the Author
  57. Also by Sharon Gosling

He paused again, and Rachel found herself reaching out a hand to place it over his where it rested on the bench. Toby turned his hand over and tangled his fingers with hers.

‘He was still alive when I got to him. I got him into the flatbed and drove the truck back to the city myself, but he was dead by the time I got to the hospital. Not that the hospital would have had much in the way of supplies to treat him anyway.’

Toby cleared his throat.

‘I completed the assignment. I had to, that was my job, it was why I was there, but I didn’t write about that day. I took that roll of film back home with me. I should have left it there, in the dust, but I didn’t. I had it developed. And the thing is, those photographs of the van… they’re beautiful. I love them. I still find them beautiful, even now. That photograph is of something destroyed, defaced by weapons that must also have ended human lives, taken moments before another life was destroyed, because of me. There’s at least a possibility that some of the bullets that damaged that van were fired from the same gun that killed my driver. But it’s still beautiful, and I don’t – I could never—’

Rachel squeezed his hand, a reminder that she was there.

‘I know there’s a message there, somewhere,’ Toby said. ‘One I’ve never been able to decode. I don’t know if it’s about myself or about humanity at large, or whether there should have been something much more specific about that particular war that I should have been able to extrapolate from that image.’ He shook his head. ‘That was my first big assignment, and it was my biggest failure. The rest of my career came out of trying to make up for what happened to Soumanwolo, and every time I published, I was reminded of him. And when I got shot myself—’ He stopped again, shaking his head. ‘That’s the first time I’ve ever spoken about that. To anyone.’

‘Well,’ Rachel squeezed his hand. ‘I think I understand your night terrors a lot more now.’

Toby smiled grimly. ‘Yes.’

‘Do you think,’ she suggested gently, ‘that if you talked to someone about this incident – professionally, I mean – they might be able to help?’

He lifted her hand to rest it on his thigh between both of his. It was an intimate touch, but Toby was looking out at the water and she wasn’t sure he’d even realized he’d moved. Then he looked down at their joined hands and let her go.

‘They might,’ he said. ‘But perhaps I don’t feel as if they should. I don’t think my guilt is illegitimate, do you? And so perhaps I should feel it. Perhaps I deserve to.’

Twenty-Eight

It all came to a head one rainy afternoon when the shop was empty of anyone except people Gilly knew. She was trying to answer an email from someone asking about a specific book for which they’d been searching. Edie appeared through the doors and leaned against the counter, brandishing something that Gilly saw, at a glance, was a college prospectus.