Back The Art of Dying
Chapters (90)
  1. PROLOGUE
  2. 1849
  3. ONE
  4. TWO
  5. EDINBURGH
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. FIFTY
  54. FIFTY-ONE
  55. FIFTY-TWO
  56. FIFTY-THREE
  57. FIFTY-FOUR
  58. FIFTY-FIVE
  59. FIFTY-SIX
  60. FIFTY-SEVEN
  61. FIFTY-EIGHT
  62. FIFTY-NINE
  63. SIXTY
  64. SIXTY-ONE
  65. SIXTY-TWO
  66. SIXTY-THREE
  67. SIXTY-FOUR
  68. SIXTY-FIVE
  69. SIXTY-SIX
  70. SIXTY-SEVEN
  71. SIXTY-EIGHT
  72. SIXTY-NINE
  73. SEVENTY
  74. SEVENTY-ONE
  75. SEVENTY-TWO
  76. SEVENTY-THREE
  77. SEVENTY-FOUR
  78. SEVENTY-FIVE
  79. SEVENTY-SIX
  80. SEVENTY-SEVEN
  81. SEVENTY-EIGHT
  82. SEVENTY-NINE
  83. EIGHTY
  84. EIGHTY-ONE
  85. EPILOGUE
  86. HISTORICAL NOTE
  87. ACKNOWLEDGEMENTS
  88. Extract from A Corruption of Blood
  89. 1850
  90. ONE

logo missingarah poured tea into two china cups of expensive porcelain decorated with briar roses. The delicately painted pink petals made her think of the rosehip tea her grandmother had made them all drink during the winter months to ward off coughs and colds. She now spent considerably more time drinking tea than merely pouring it for others, but unlike the other married ladies of the New Town, could not imagine being satisfied by a future wherein tea drinking would occupy so much of her time. She preferred to work and to study, which was just as well as such solitary pursuits did not tend to garner many friends.

Mrs Glassford sat opposite her in a high-backed chair, a mound of cushions supporting her back, her swollen feet elevated on an embroidered stool. Sarah handed a cup to her companion and noticed as she did so that Mrs Glassford’s tremulous grip caused a little spillage into the saucer. She was barely eating anything at all now, subsisting mainly on tea and thin soup. A pauper’s diet.

‘Have you thought any more about Dr Simpson’s offer?’ Sarah asked.

‘Of moving into a room at Queen Street? It is kind of him to suggest it, but I manage well enough here. I have a housemaid to assist me.’

‘Do you receive any visitors?’

‘None in addition to your good self. I know so few people here that I am left entirely unmolested. I am at liberty to spend my time as I choose, which I consider to be a great luxury.’

‘Your family are all in Glasgow?’

‘My parents reside there, but I doubt that they know where I am. Family ties have been severed for some time.’

‘I’m sorry to hear that.’

‘It was the price I paid for choosing my own path.’

‘Your own path?’

Sarah felt the usual tension provoked by such snippets of information – polite rectitude straining against a ravenous curiosity. When your own life had been so limited, the exploits of others became a source of fascination.

‘I refused to marry the man my father had so carefully selected for me. A man of property who saw me in much the same way: an object to be owned, an acquisition. He was considerably older than I was, self-obsessed and controlling. I despised him.’

‘Did your father know this? The reasons why you did not want to marry?’

‘My opinion was irrelevant. Or so I was told. I was accused of being difficult, obstructive. But I had no wish to become an ornamental fixture with nothing to do but supervise servants and produce male heirs – “A toy of man who must jingle in his ear whenever he chooses to be amused.” Wollstonecraft said that.’

Sarah was unfamiliar with the quote and the lack of recognition must have shown on her face.