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Chapters (90)
  1. PROLOGUE
  2. 1849
  3. ONE
  4. TWO
  5. EDINBURGH
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. FIFTY
  54. FIFTY-ONE
  55. FIFTY-TWO
  56. FIFTY-THREE
  57. FIFTY-FOUR
  58. FIFTY-FIVE
  59. FIFTY-SIX
  60. FIFTY-SEVEN
  61. FIFTY-EIGHT
  62. FIFTY-NINE
  63. SIXTY
  64. SIXTY-ONE
  65. SIXTY-TWO
  66. SIXTY-THREE
  67. SIXTY-FOUR
  68. SIXTY-FIVE
  69. SIXTY-SIX
  70. SIXTY-SEVEN
  71. SIXTY-EIGHT
  72. SIXTY-NINE
  73. SEVENTY
  74. SEVENTY-ONE
  75. SEVENTY-TWO
  76. SEVENTY-THREE
  77. SEVENTY-FOUR
  78. SEVENTY-FIVE
  79. SEVENTY-SIX
  80. SEVENTY-SEVEN
  81. SEVENTY-EIGHT
  82. SEVENTY-NINE
  83. EIGHTY
  84. EIGHTY-ONE
  85. EPILOGUE
  86. HISTORICAL NOTE
  87. ACKNOWLEDGEMENTS
  88. Extract from A Corruption of Blood
  89. 1850
  90. ONE

‘I am sure we can point you in the right direction regardless. What would be your intended destination?’

Sarah swallowed, fearful her voice would dry.

‘New York,’ she replied.

‘Yes, that indeed would depart from the west coast, but we can certainly assist with a booking. Can I have your name?’

‘It’s Sarah.’

He stared expectantly at her, the pause becoming awkward in its length until she understood he was awaiting more.

‘Sorry. Sarah Fisher.’

‘And would that be “Miss” or “Mrs”?’

It seemed a simple enough question, and yet it was far from it, and not something a man was ever forced to reckon with. She had reverted to her own surname, as Archie requested, but the thorny issue of her title persisted. She pondered briefly which appellation would provide the greatest protection to a woman travelling alone.

‘It is “Mrs”,’ she said.

For now, at least.

One day, she vowed, it would be neither. One day, it would be ‘Doctor’.

EPILOGUE

logo missing shaft of sunshine plunged through a single window into the otherwise stark-walled chamber as Dr David Skae took his seat. Glancing up, he could make out the national monument atop Calton Hill, a permanent sentinel overlooking the facility that shared its name. The room in which they had convened was abutting the outer wall of the jail; those confined to the cells would enjoy no such view.

Dr Skae sat at the centre of a long table, flanked on his right by Auberon Findlay, Procurator Fiscal, and on his immediate left by Dr Alasdair Drake, Skae’s assistant. Next to him at the end of the table was Frederick Nicholson, a lawyer representing the subject.

Skae was Physician Superintendent of the Edinburgh Asylum and had been invited here by Nicholson to make an assessment of Mary Dempster’s fitness to face the charges against her.

In the past, fiscals had resisted the likes of Skae’s involvement in such matters, but the McNaughton Rule six years before had changed all that. McNaughton had been acquitted of attempting to murder Prime Minister Robert Peel, his pistol shot fatally injuring Peel’s secretary Edward Drummond instead. McNaughton was ruled to have been guilty but insane, labouring under the delusion that Peel in fact intended to murder him. The case had established a precedent that Nicholson had invoked with regard to his client.

Bringing their sitting to order, Findlay read out the ruling verbatim: ‘“To establish a defence on the ground of insanity, it must be clearly proved that, at the time of the committing of the act, the party accused was labouring under such a defect of reason, from a disease of the mind, as not to know the nature and quality of the act she was doing; or, if she did know it, that she did not know she was doing what was wrong.”’