Back The Art of Dying
Chapters (90)
  1. PROLOGUE
  2. 1849
  3. ONE
  4. TWO
  5. EDINBURGH
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. FIFTY
  54. FIFTY-ONE
  55. FIFTY-TWO
  56. FIFTY-THREE
  57. FIFTY-FOUR
  58. FIFTY-FIVE
  59. FIFTY-SIX
  60. FIFTY-SEVEN
  61. FIFTY-EIGHT
  62. FIFTY-NINE
  63. SIXTY
  64. SIXTY-ONE
  65. SIXTY-TWO
  66. SIXTY-THREE
  67. SIXTY-FOUR
  68. SIXTY-FIVE
  69. SIXTY-SIX
  70. SIXTY-SEVEN
  71. SIXTY-EIGHT
  72. SIXTY-NINE
  73. SEVENTY
  74. SEVENTY-ONE
  75. SEVENTY-TWO
  76. SEVENTY-THREE
  77. SEVENTY-FOUR
  78. SEVENTY-FIVE
  79. SEVENTY-SIX
  80. SEVENTY-SEVEN
  81. SEVENTY-EIGHT
  82. SEVENTY-NINE
  83. EIGHTY
  84. EIGHTY-ONE
  85. EPILOGUE
  86. HISTORICAL NOTE
  87. ACKNOWLEDGEMENTS
  88. Extract from A Corruption of Blood
  89. 1850
  90. ONE

Martha composed her face into a smile, but in the moment before, he witnessed a glimmer of concern. It was as Sarah had observed: a fear of what she was permitted to say. However, as Martha warmed to the subject, it was clear that she remembered she did not need to fear being overheard.

‘We have our ups and downs, like all family I’m sure; blood relations or not. Sometimes we are like the oldest of friends, and other times I am grateful she has gone to live with her patients. Doubtless she is grateful to get away from me too. She once struck out on her own for a time after we had a falling out. She stayed in some squalid place, all she could afford. I convinced her to come back, but only by apologising. I can’t even remember what for, but it only mattered that it was me who admitted I was wrong. Mary never apologises. Mary is never wrong. I think it is because she had such a harsh childhood that she finds it hard to concede ground.’

‘Am I right in saying that this was not the house where you grew up?’

‘No. We lived at Canonmills: a much finer house than this. My father worked for the bank.’

‘Do you have other brothers and sisters?’

‘No. I was alone until my mother adopted Mary.’

Raven wondered at this way of putting it: that it was her mother who adopted Mary, not the family.

‘That must have been a disruption and a difficult adjustment, for all of you.’

Martha paused, considering her answer.

‘Like Mary, my mother was a strong-willed woman, and not to be defied. She saw it as her role to civilise Mary. To break her in, like one might do a horse. And it should be said, the instrument was the same.’

Raven had to conceal his reaction. The whip-hand indeed.

‘My mother succeeded, to some extent. She even changed the way Mary expressed herself, forbade her to speak as though she was from Glasgow. As you remarked the last time we spoke, she reverted and does so with all the greater pride now.

‘At the time I accepted much of this. I was oblivious and, I will admit, somewhat spoiled. I realise how hard it must have been for Mary, as I was the focus of so much more attention. It was my mother’s primary purpose in life to ensure that I married well, while Mary was shown no such consideration. She had already embarked upon a career as a nurse by the time I became engaged.’

Raven failed to mask his surprise.

‘You were married?’ he asked.

‘No. My husband-to-be died before we could be wed. His name was Colin, Colin Flett.’

She seemed to savour the sound of his name, a wistful look upon her face.