Back The Art of Dying
Chapters (90)
  1. PROLOGUE
  2. 1849
  3. ONE
  4. TWO
  5. EDINBURGH
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. FIFTY
  54. FIFTY-ONE
  55. FIFTY-TWO
  56. FIFTY-THREE
  57. FIFTY-FOUR
  58. FIFTY-FIVE
  59. FIFTY-SIX
  60. FIFTY-SEVEN
  61. FIFTY-EIGHT
  62. FIFTY-NINE
  63. SIXTY
  64. SIXTY-ONE
  65. SIXTY-TWO
  66. SIXTY-THREE
  67. SIXTY-FOUR
  68. SIXTY-FIVE
  69. SIXTY-SIX
  70. SIXTY-SEVEN
  71. SIXTY-EIGHT
  72. SIXTY-NINE
  73. SEVENTY
  74. SEVENTY-ONE
  75. SEVENTY-TWO
  76. SEVENTY-THREE
  77. SEVENTY-FOUR
  78. SEVENTY-FIVE
  79. SEVENTY-SIX
  80. SEVENTY-SEVEN
  81. SEVENTY-EIGHT
  82. SEVENTY-NINE
  83. EIGHTY
  84. EIGHTY-ONE
  85. EPILOGUE
  86. HISTORICAL NOTE
  87. ACKNOWLEDGEMENTS
  88. Extract from A Corruption of Blood
  89. 1850
  90. ONE

He had no other reason to be grateful for the murk, as it was a considerable impediment to his navigation, obscuring the landmarks by which he would normally get his bearings. He wasted a good ten minutes walking up the wrong road, taking a turn too soon. Then, once he had doubled back and corrected his course, he realised he had walked past the cottage he was looking for, as it was set back from the road.

His approach being obscured, he wondered whether he might benefit from catching his quarry unawares. Sarah had spoken of her suspicion that Mary had been in the house when last they visited. She thought she had seen someone at the window, and there had been a delay in Martha answering the door: long enough for Mary to instruct her sister to conceal that she was home.

The question this posed, however, was how Mary would have known to be evasive of two strangers. Then Raven remembered that she had seen him, albeit briefly, at the Porteous house. It was therefore possible that she had spied him from the window, and though she could not extrapolate from that the reason he was there, she had not evaded discovery for this long by being careless and taking chances.

The front door was opened without delay on this occasion. Martha Dempster looked at him a moment, as if trying to place from where she knew him.

‘Dr Raven?’

Perhaps it was merely in contrast to Iain McKinnon’s understandably dour demeanour, but he thought she seemed pleased to see him.

‘Miss Dempster. Sorry to trouble you again, but I wondered whether on this occasion your sister might be home?’

‘No,’ she answered, Raven reading her countenance in vain for any hint that this might not be true. ‘But do come in out of the cold,’ she added.

She ushered him into a small drawing room at the front of the house, the door of which had been closed last time. Raven wondered what had been behind it on that occasion. The room looked expensively furnished, though many of the fixtures seemed overly grand and out of scale for the room. He had previously assumed that this had been the Dempster family’s home but now thought that he had been mistaken. The furniture must have belonged to her parents and been brought here from another house after they died.

‘Can I offer you some tea?’ she asked.

As long as your sister isn’t preparing it, Raven thought. How vulnerable we all were when we placed our trust in others, how exposed when others harboured evil intent. How much more so in the case of a nurse, when they were entrusted to administer medicines.

‘That would be most welcome,’ he answered.