Back The Art of Dying Save as PDF
Chapters (90)
  1. PROLOGUE
  2. 1849
  3. ONE
  4. TWO
  5. EDINBURGH
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. FIFTY
  54. FIFTY-ONE
  55. FIFTY-TWO
  56. FIFTY-THREE
  57. FIFTY-FOUR
  58. FIFTY-FIVE
  59. FIFTY-SIX
  60. FIFTY-SEVEN
  61. FIFTY-EIGHT
  62. FIFTY-NINE
  63. SIXTY
  64. SIXTY-ONE
  65. SIXTY-TWO
  66. SIXTY-THREE
  67. SIXTY-FOUR
  68. SIXTY-FIVE
  69. SIXTY-SIX
  70. SIXTY-SEVEN
  71. SIXTY-EIGHT
  72. SIXTY-NINE
  73. SEVENTY
  74. SEVENTY-ONE
  75. SEVENTY-TWO
  76. SEVENTY-THREE
  77. SEVENTY-FOUR
  78. SEVENTY-FIVE
  79. SEVENTY-SIX
  80. SEVENTY-SEVEN
  81. SEVENTY-EIGHT
  82. SEVENTY-NINE
  83. EIGHTY
  84. EIGHTY-ONE
  85. EPILOGUE
  86. HISTORICAL NOTE
  87. ACKNOWLEDGEMENTS
  88. Extract from A Corruption of Blood
  89. 1850
  90. ONE

Sarah had devoured the book she had given to her, A Vindication of the Rights of Woman. Mrs Glassford had referred to it simply as the Vindication, which seemed apposite, as it served that purpose regarding so many of the beliefs Sarah had come to hold. How well had it described the diminished lives accepted by even the most privileged of women: ‘Confined then in cages like the feathered race, they have nothing to do but to plume themselves, and stalk with mock majesty from perch to perch. It is true they are provided with food and raiment, for which they neither toil nor spin; but health, liberty and virtue are given in exchange.’

It had made Sarah think mournfully of the wasted potential of Mrs Simpson’s sister, Mina, her talents and intelligence unnurtured as she sought only to marry well. And this was to say nothing of the wasted potential of all those women who inhabited the realm below stairs, where she, until recently, had been confined. How many Shakespeares, how many Newtons – how many Simpsons for that matter – had we lost because they were born of a gender that was denied the chance to shine?

Sarah had been fond of Mrs Glassford. She had only known her a short time, and throughout all of it she had been aware she was likely to die, but the reality of her death was shocking, a portent of a greater loss yet to come.

She looked up at Raven.

‘It is Archie,’ she said. ‘He is dying, Will.’

Raven nodded solemnly.

‘I know.’

Then it struck her: how could he not? Raven had seen him, had spent time with him and was a doctor. He did not need to be told. She had deceived herself about this, and Raven had played along out of politeness.

‘Have you and Archie talked about it?’ she asked, suddenly appalled by the notion.

‘Yes, but he only confirmed what I had suspected. I did not think it my place to raise the matter with you.’

She nodded in acknowledgement.

‘But I am always here to listen,’ he added.

Sarah swallowed, his solicitude threatening to prompt more tears.

‘It’s easy to think you can cope with the prospect of impending loss until you are actually confronted with it,’ she said. ‘I knew Mrs Glassford could not be saved. And nor can Archie. It is possible to hide from that reality when you don’t know how much time you have. But now Mrs Glassford is dead …’

She closed her eyes a moment.

‘I am so afraid, Will, but I cannot tell Archie how scared I am. He needs me to be strong. He should not have to comfort me. It must be the other way around.’

‘Archie would not wish you to bear your fears alone.’