Back The Art of Death Save as PDF
Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

‘Have your pictures come through yet?’ asks Archer.

Quinn checks his phone. ‘Nope.’

Archer swears under her breath and redials Os’s number. The call goes straight to voicemail.

Archer bristles. ‘No pictures and no Os. That is really helpful.’

‘Let me call Phillips.’

‘No, I’ll get them from Klara.’

Archer makes the call to Klara and moments later the mugshots are on her phone. She forwards them to Quinn.

‘Small things like this are why we need Klara.’

They spend the best part of two hours showing the pictures to the clientele. The three men were familiar faces on the streets yet few can remember when they last saw them. Almost all have learned of their fate and some don’t seem moved or even surprised. ‘When it’s your time to go it’s your time to go,’ offers one unhelpful individual.

Archer approaches a young man wearing a dirty parka with the hood pulled up.

‘Hello,’ she says.

‘All right,’ he replies, quietly, his head down.

‘What’s your name?’

He shrugs and remains silent.

‘Did you hear what happened to those three men on Charing Cross Road?’

His hood nods.

‘Did you know any of them?’

‘Some people get what’s coming to ’em.’

‘What do you mean by that?’ Archer keeps her tone soft.

He looks up.

Archer swallows.

He can’t be much older than sixteen. He has a wispy bum-fluff beard and a grubby face with hollow dark eyes. Underneath the grime, his face is almost angelic, or would have been if it weren’t for the marks of drug use and malnutrition.

‘Did you know him?’ she asks, holding up the shot of Noel Tipping.

He shakes his head.

She shows the picture of Stan Buxton.

He shakes his head.

She slides across the shot of Billy Perrin.

He stares coldly at the picture, shivers and chokes out a hacking cough. He looks down and thrusts his hands into the pockets of his parka. His nose is running and he wipes it with the sleeve of his coat.

Archer senses he knows more than he is letting on.

‘My name’s Grace Archer. Can I get you a coffee?’

He shrugs and shoots a hungry look at the mobile soup kitchen, which has closed up and is moving on.

‘Actually, I’m starving,’ says Archer. She glances across the road at Charing Cross train station. They could talk privately there. ‘There’s a Costa at the station. Why not join me for a spot of lunch?’

The boy hesitates and shifts awkwardly on his feet.

‘They do a pretty good tuna melt or a ham and cheese melt, if you prefer. My treat.’

After a moment he nods his agreement.

‘Stephen. My name is Stephen.’

‘It’s nice to meet you, Stephen,’ Archer says as she walks with him. Turning, she catches Quinn’s eye quickly. He nods at her as he watches them cross the road.