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Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

Thank you also to the brilliant Elise Burns for championing this book at Bonnier. I must also call out Ciara Corrigan, Nick Stearn for the stunning cover and Annie Arnold for the wonderfully creepy end pages. Thank you so much to everyone else at Bonnier and beyond who helped create this book.

Thank you to everyone at the DHH Literary Agency for their support and encouragement and thank you to the early readers: Greg Mosse, Broo Doherty, Rebecca McDonnell and Emily Glenister.

Thank you also to my friends and family for your love and support. Finally, this book is dedicated to my big brother, Marty Fennell, who passed in January 2020. You are loved and missed by all who knew you.

Letter from Author

Hello!

Thank you for picking up The Art of Death.

Almost all of us have some sort of presence on social media today, either directly or indirectly. If you are someone who does not use Twitter, Facebook or Instagram, then you may not even know that a well-meaning friend or family member has captured your photo at a certain time, at a certain location and tagged you in it. As you know, the serial killer in The Art of Death, the underground artist and self-named @nonymous, uses this public data to profile and catfish his victims. He uses their bodies as works of art that he displays in public and livestreams on social media. Unlike bricks and mortar galleries that have a limited life span, the internet is a digital museum that will house his work in some shape or form, forever. It was a hard book to write and it took me almost two years to complete. As a reader I think the message to take away from this is to be very careful with what information you share on social media. You don’t know who is looking in . . .

If you would like to hear more about my books, you can visit www.bit.ly/DavidFennellClub where you can become part of the David Fennell Readers’ Club. It only takes a few moments to sign up, there are no catches or costs.

Bonnier Zaffre will keep your data private and confidential, and it will never be passed on to a third party. We won’t spam you with loads of emails, just get in touch now and again with news about my books, and you can unsubscribe any time you want.

And if you would like to get involved in a wider conversation about my books, please do review The Art of Death on Amazon, on Goodreads, on any other e-store, on your own blog and social media accounts, or talk about it with friends, family or reader groups! Sharing your thoughts helps other readers, and I always enjoy hearing about what people experience from my writing.

Thank you again for reading The Art of Death.

All the best,

David Fennell

About the Author

About the Author