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Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

Despite only knowing him for two days, in that short time she has come to depend on him. He seems so reliable. Not only that, something about his absence niggles at her and she is worried. Eager to get on with the investigation, she could go it alone, but decides to pay him a call and give him the benefit of the doubt.

Chapter 14

14

ARCHER SIGNS OUT A POLICE vehicle and makes her way to the Brandon Estate in Southwark where Quinn lives. Mark has given her the address and told her Quinn apparently has the most excellent view over Kennington Park. She walks towards the high rise and looks up at the vast gloomy building, counting the floors and stopping at the seventh. She can just about see what looks like a half-naked man standing on a balcony peering out over the green.

Is that Quinn?

The communal door is open so she lets herself in and makes her way up in the lift.

At the seventh floor, she gets out and sees a thin woman in her late sixties wearing a silk dressing gown and slippers, standing outside number forty-two, Quinn’s flat. She is holding a raised toilet seat and is knocking on his door.

‘Hello, is this Harry Quinn’s flat?’

The woman raises her pencilled eyebrows and looks Archer up and down. ‘Who wants to know?’

‘A colleague.’

The woman knocks harder.

Archer’s phone pings suddenly and she wonders if it’s Quinn.

Babe, sorry about the late response. Been crazy busy at work. Hope the new job is fun. See you at weekend? Dom X

Archer stares hard at the phone, unsure what to make of Dom’s message. 1. He knows she hates being called ‘babe’, 2. Since when has being a detective been a ‘fun’ job? and 3. Regardless of how ‘crazy busy’ they are, ever since their two-week fall-out last year, both of them have always made a point of contacting each other, even if it is just a text.

Harry’s voice interrupts her thoughts. ‘Clear off! There’s no one home,’ he shouts from behind the door.

The woman looks to Archer, shrugs and rolls her eyes. ‘He’s always doing this.’

‘Harry, it’s Zelda Frutkoff. I need your help. Can you open the door, please?’

After a pause the door opens and a haggard-looking Quinn appears wearing only shorts. ‘What’s up, Zelda?’

The Irishman’s eyes are red and raw and widen when he sees Archer.

‘DI Archer, what are you doing here?’ he asks.

‘I came to see if you were all right.’

Zelda interrupts, ‘Before you two get reacquainted, Harry, my toilet seat has broken again. Could you reattach it now, please? I’m a woman in a predicament.’

Quinn rubs his neck. ‘Sure. Do you want to use mine?’

‘Harry, with my knees you might as well have a hole in the ground. Besides, we’re two unattached free spirits – and the neighbours will talk.’