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Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

‘Thank you, Miss Cosgrove. If you think of anything please call me at this number.’ Archer hands her a contact card.

Quinn has finished his call. ‘That was DCI Pierce. She wants us both back at the nick now.’

Archer feels a tightening in her chest. It’s not going to be easy working with DI Rees’s colleagues. It’s going to be even harder working with the fearsome DCI Clare Pierce, Archer’s new boss and the woman with whom Rees was allegedly having an affair.

Chapter 4

4

THE THIRD FLOOR OF CHARING Cross Police Station is a large, busy, open-plan space that has also benefited from the refurbishment budget. The walls are painted a modern pale grey, the wood finish on the windows and skirting boards a matt white. Rows of computer monitors light up the interior. DI Andy Rees’s arrest exposed a bent copper within senior police ranks. Archer wonders if a complete facelift can cover up the corruption that has gone before.

Archer allows Quinn to take the lead. They stop at an office where a uniformed sergeant is seated at a desk, piled with files and paperwork.

‘Sergeant Mark Beattie. This is Detective Inspector Grace Archer.’

Beattie, a tall man with a hooked nose and spiky salt-and-pepper hair, shakes Archer’s hand and appraises her with curious eyes buried under bushy grey brows. ‘Welcome, DI Archer.’

‘Mark looks after staffing for investigations as well as managing day-to-day activities for the response teams. He has many more strings to his bow, as you will discover. We’d be lost without him.’

‘I remember your father. He was a fine detective,’ says Beattie.

‘Thank you, Sergeant Beattie.’

‘Call me Mark. Seems like you’ve landed quite a humdinger on your first day. DCI Pierce may want to—’

Quinn interrupts, ‘Yeah, Pierce will want us to sort it out this morning.’

Both men look at Archer and then exchange a look, which quietly vexes her.

‘What does that mean?’ she asks.

At that same moment Quinn looks behind her, with hooded eyes. She turns to see DI Rodney Hicks enter the office. Hicks was thick as thieves with Andy Rees. They worked closely on many investigations and socialised together with their wives and families.

Hicks raises his eyebrows at Archer. ‘Well, if it isn’t Detective Inspector Archer, no less. Come to arrest someone else today?’

‘Give it a rest, Rod,’ says Beattie.

Hicks raises his hand and slaps his temple. ‘Oh wait . . . you’re taking over from Andy. Now I remember.’

Archer grits her teeth, but doesn’t take the bait.

‘Good luck with that,’ grins Hicks and strolls by leaving behind a bitter funk of dry sweat mingled with a sharp budget deodorant.

‘Ignore him,’ says Quinn.

‘I expected it,’ she replies.

Beattie interjects, ‘I’ve pulled together a small team to get you going, ma’am. When DCI Pierce gets back from her meeting we can ask for more resources.’