Back The Art of Death Save as PDF
Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

Archer says nothing.

‘I’m sorry. I didn’t mean to be so familiar.’

Archer doesn’t want to be rude, especially considering he has been so kind to her Grandad. ‘What line of business are you in?’

‘Property. It’s very boring.’

‘How’re you finding life in Roupell Street?’

‘Actually, I’m not living there. I’m having it done up. My PA Victoria is helping me. She was with me when I saw you that night.’

‘You were both working late.’

Jamie laughs. ‘We’re not having an affair, if that’s what you’re implying.’

‘No, sorry, that’s not what I meant.’

‘Victoria is a mate. She’s my PA. Not a very an efficient one by any standards, but she is very good at interior design.’

An awkward silence hangs in the air for a moment, until Archer breaks it.

‘You made quite an impression on my grandad, and one of the nurses too.’

‘Oh really?’ he replies with an embarrassed smile.

Jamie is handsome and has a certain appeal. She figures he is around thirty, perhaps a year older than her and has the confidence that comes with being wealthy and privileged, which he clearly is, yet she wonders if he is a player. Someone who is used to wooing women and getting his own way.

The car approaches Charing Cross and Archer calls to the driver, ‘You can let me out anywhere here.’

The driver pulls over.

‘I appreciate the lift.’

‘Anytime. Remember, you have my number.’

‘Thank you for helping my grandad.’

‘It was my pleasure.’

Archer smiles at him, climbs out of the taxi and heads back to Charing Cross Police Station.

Chapter 17

17

MIKE HAMILTON TAKES A BREAK from writing his opinion piece on the artist-cum-killer who calls himself @nonymous. Zoning out from the ubiquitous pounding of plastic keys, never-ending telephone rings and newsroom banter he flicks through his photographs of the cabinets containing the pickled tramps. He stops at the shot of the toppled cabinet containing the twisted corpse of Billy Perrin. Standing over it like some queen bee is the female detective.

He has since learned her name is Grace Archer and that she doesn’t have a presence on Facebook, Instagram or any other social media platform. Why is that? he wonders. Does she have something to hide? After digging around the electoral data on the Internet he was able to discover where she lives. It’s an address in Little Venice that is also occupied by a Mr Dominic Parker. He tracked Parker down on Facebook, where he also found pictures of Grace Archer. Parker’s mobile number was on his home page too.

The fool.

He called Parker and told him who he was. Parker seemed genuinely delighted to know that Mike Hamilton was on the phone. He was a fan of his blunt reporting style and willingly surrendered his girlfriend’s phone number to run an article on the murders.

Archer.