Chapters (63)
- Cover
- Praise
- Dedication
- Map
- Epigraph
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Acknowledgements
- Letter from Author
- About the Author
But whoever it is, he doesn’t answer.
The phone goes dead.
Chapter 41
41
MIKE HAMILTON KNOWS HE IS onto something. He has that feeling like an invisible hook tugging at his gut. Detective Inspector Grace Archer, daughter of a murdered police officer (a killing sanctioned by Frankie ‘Snow’ White, no less), abductee, and the only surviving victim of serial child killer, Bernard Morrice. And here she is, back in the news, pitted against another wacko serial killer. It is a delicious story that barely needs embellishment, but it is missing that key element: Archer’s viewpoint. He still hasn’t heard back from her and has done everything she’s asked including sending her the article for approval and the photographs. He is getting impatient and wants to speak with her, but she has taken to ignoring his texts and phone calls again.
Fucking bitch!
Sitting at his desk he can only half hear the drone of journalist jabber, the rapping of plastic keys and the never-ending ring of telephones.
‘How do I make this happen?’ he asks himself. She’s as stubborn as a mule. He tuts at himself for thinking such a clichéd simile. You’re a journalist, a writer, for Chrissake! Not some bottom-of-the-ladder hack.
He shuts his eyes tightly, rubs his rough cheeks and tries to think.
Over the past week he has divided his focus between Archer’s dubious past and the @nonymous murders. His concentration on the formidable, and let’s be honest, foxy Grace Archer, has caused him some criticism, but that doesn’t bother him. Sales are up and that’s all that matters. But it’s just not enough for him.
‘What’s up, Mike?’ asks Katy.
Mike sighs and frowns. ‘I’m busy, if you don’t mind.’
He can sense Katy looking at his computer, where he has opened an online story from the archives on Bernard Morrice and his final victim, Danny Jobson.
‘I saw a piece in the Express online.’
‘Good for you.’
‘An interview with Danny Jobson’s parents.’
Mike feels his body tensing. How the fuck did the Express get that?
‘So what?’
‘Our sales figures have dropped. Theirs are up. Thought you might like to know.’
And with that bombshell Katy turns and leaves. Mike feels his neck flush red. Katy’s rebellion has begun. She is getting her own back. He is irritated but also impressed. Maybe she’ll make a good reporter after all.
He rereads the old Danny Jobson article and has a thought. Grace Archer has never quite recovered from his death. She tried to save him, but failed. He thinks about Jordan Kelly, who is still missing. Mike sits up, unaware of the grin that has spread on his face. He can see the headline now: CAN DETECTIVE INSPECTOR GRACE ARCHER DO FOR JORDAN KELLY WHAT SHE COULDN’T DO FOR DANNY JOBSON? It’s sounds a little harsh, but he’ll work on that.