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Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

But whoever it is, he doesn’t answer.

The phone goes dead.

Chapter 41

41

MIKE HAMILTON KNOWS HE IS onto something. He has that feeling like an invisible hook tugging at his gut. Detective Inspector Grace Archer, daughter of a murdered police officer (a killing sanctioned by Frankie ‘Snow’ White, no less), abductee, and the only surviving victim of serial child killer, Bernard Morrice. And here she is, back in the news, pitted against another wacko serial killer. It is a delicious story that barely needs embellishment, but it is missing that key element: Archer’s viewpoint. He still hasn’t heard back from her and has done everything she’s asked including sending her the article for approval and the photographs. He is getting impatient and wants to speak with her, but she has taken to ignoring his texts and phone calls again.

Fucking bitch!

Sitting at his desk he can only half hear the drone of journalist jabber, the rapping of plastic keys and the never-ending ring of telephones.

‘How do I make this happen?’ he asks himself. She’s as stubborn as a mule. He tuts at himself for thinking such a clichéd simile. You’re a journalist, a writer, for Chrissake! Not some bottom-of-the-ladder hack.

He shuts his eyes tightly, rubs his rough cheeks and tries to think.

Over the past week he has divided his focus between Archer’s dubious past and the @nonymous murders. His concentration on the formidable, and let’s be honest, foxy Grace Archer, has caused him some criticism, but that doesn’t bother him. Sales are up and that’s all that matters. But it’s just not enough for him.

‘What’s up, Mike?’ asks Katy.

Mike sighs and frowns. ‘I’m busy, if you don’t mind.’

He can sense Katy looking at his computer, where he has opened an online story from the archives on Bernard Morrice and his final victim, Danny Jobson.

‘I saw a piece in the Express online.’

‘Good for you.’

‘An interview with Danny Jobson’s parents.’

Mike feels his body tensing. How the fuck did the Express get that?

‘So what?’

‘Our sales figures have dropped. Theirs are up. Thought you might like to know.’

And with that bombshell Katy turns and leaves. Mike feels his neck flush red. Katy’s rebellion has begun. She is getting her own back. He is irritated but also impressed. Maybe she’ll make a good reporter after all.

He rereads the old Danny Jobson article and has a thought. Grace Archer has never quite recovered from his death. She tried to save him, but failed. He thinks about Jordan Kelly, who is still missing. Mike sits up, unaware of the grin that has spread on his face. He can see the headline now: CAN DETECTIVE INSPECTOR GRACE ARCHER DO FOR JORDAN KELLY WHAT SHE COULDN’T DO FOR DANNY JOBSON? It’s sounds a little harsh, but he’ll work on that.