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Contents ( 109)
  1. CONTENTS
  2. ONE
  3. Sylvie
  4. TWO
  5. Sylvie
  6. THREE
  7. Thomas
  8. FOUR
  9. Sylvie
  10. FIVE
  11. Thomas
  12. SIX
  13. Sylvie
  14. SEVEN
  15. Thomas
  16. EIGHT
  17. Sylvie
  18. NINE
  19. Thomas
  20. TEN
  21. Sylvie
  22. ELEVEN
  23. Thomas
  24. TWELVE
  25. Sylvie
  26. THIRTEEN
  27. Thomas
  28. FOURTEEN
  29. Sylvie
  30. FIFTEEN
  31. Thomas
  32. SIXTEEN
  33. Sylvie
  34. SEVENTEEN
  35. Thomas
  36. EIGHTEEN
  37. Sylvie
  38. NINETEEN
  39. Sylvie
  40. TWENTY
  41. Thomas
  42. TWENTY-ONE
  43. Sylvie
  44. TWENTY-TWO
  45. Thomas
  46. TWENTY-THREE
  47. Sylvie
  48. TWENTY-FOUR
  49. Thomas
  50. TWENTY-FIVE
  51. Sylvie
  52. TWENTY-SIX
  53. Thomas
  54. TWENTY-SEVEN
  55. Sylvie
  56. TWENTY-EIGHT
  57. Thomas
  58. TWENTY-NINE
  59. Sylvie
  60. THIRTY
  61. Thomas
  62. THIRTY-ONE
  63. Sylvie
  64. THIRTY-TWO
  65. Thomas
  66. THIRTY-THREE
  67. Sylvie
  68. THIRTY-FOUR
  69. Thomas
  70. THIRTY-FIVE
  71. Sylvie
  72. THIRTY-SIX
  73. Thomas
  74. THIRTY-SEVEN
  75. Sylvie
  76. THIRTY-EIGHT
  77. Sylvie
  78. THIRTY-NINE
  79. Thomas
  80. FORTY
  81. Sylvie
  82. FORTY-ONE
  83. Sylvie
  84. FORTY-TWO
  85. Thomas
  86. FORTY-THREE
  87. Sylvie
  88. FORTY-FOUR
  89. Sylvie
  90. FORTY-FIVE
  91. Thomas
  92. FORTY-SIX
  93. Sylvie
  94. FORTY-SEVEN
  95. Sylvie
  96. FORTY-EIGHT
  97. Sylvie
  98. FORTY-NINE
  99. Thomas
  100. FIFTY
  101. Sylvie
  102. FIFTY-ONE
  103. Thomas
  104. FIFTY-TWO
  105. Sylvie
  106. ACKNOWLEDGMENTS
  107. QUESTIONS FOR DISCUSSION
  108. connect online
  109. What’s next on your reading list?

I cross the stage, drawn back to Thomas. He places an antique snow globe with a brass base on the edge of the stage. My pulse quickens as I pick it up. Inside the glass is a woman surrounded by a field of wheat. When I shake the globe, bright wildflowers swirl. It’s beautiful—like nothing I’ve ever seen. I tip the globe again and spot an address written on the bottom. When I meet Thomas’s gaze and nod, his blue-green eyes shine. Hope takes flight.

My hands no longer shake as I place the globe on the small wooden table set between two leather chairs, center stage. I walk forward and address the audience again, Moose at my side. “Final introductions and we can begin. This is Moose. Every time I stand up here, I’m nervous. Moose helps. Telling the truth is going to help even more. Some of these get-togethers may not be what you need, and for that, I’m sorry. All I can promise is to try my best.” I smile and the audience does, too.

“So here we go. Welcome. My name is Sylvie Ravanelle Young. Let’s begin . . .”

ACKNOWLEDGMENTS

We did it! And by we I mean the village of people who worked to make the dream of Some of It Was Real a reality. I know authors always say this in their acknowledgments, but it’s true. I couldn’t have published this novel, from cover art to the final page, without the tireless efforts, skill, creativity, and professionalism of the Berkley publishing team. I’m honored to work with them!

The first thank-you always goes to my husband, Henry. Each novel starts with a question that slowly morphs into an idea. Henry is willing to listen (a lot!) and talk through countless possibilities. He never doubts my ability to turn an idea into a story (that makes one of us!), and he’s always my first reader. Thank you, H—you hang my galaxy and together with Boone you’re my perfect family.

A giant thank-you to my editor at Berkley, Kerry Donovan! Every author knows what it’s like to be on submission, waiting to hear if there’s an editor who wants your story. It’s exciting but also terrifying. Kerry, when you called I was over the moon. Despite my nerves, your kindness and love for this book were immediately evident and put me at ease. This was our first novel and I really appreciated your excellent editorial eye and keen insights. You made Some of It Was Real a better book. Thank you so much. I can’t wait to work on the next one together!

Huge thanks to the entire Berkley team, including Kerry’s assistant, Mary Baker, senior marketing manager Fareeda Bullert, production editor Jennifer Lynes, managing editor Christine Legon, copy editor Joan Matthews, publicist Tara O’Connor, and cover designer Emily Osborne.

How do I thank my agent, Stephanie Kip Rostan? With lots of compliments that don’t come close to expressing how much I value her! Steph, your brilliance, wicked sense of humor, brainstorming abilities, and top-notch editorial skills make me a very lucky author. If I haven’t said it lately, thanks again for picking me.