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Contents ( 109)
  1. CONTENTS
  2. ONE
  3. Sylvie
  4. TWO
  5. Sylvie
  6. THREE
  7. Thomas
  8. FOUR
  9. Sylvie
  10. FIVE
  11. Thomas
  12. SIX
  13. Sylvie
  14. SEVEN
  15. Thomas
  16. EIGHT
  17. Sylvie
  18. NINE
  19. Thomas
  20. TEN
  21. Sylvie
  22. ELEVEN
  23. Thomas
  24. TWELVE
  25. Sylvie
  26. THIRTEEN
  27. Thomas
  28. FOURTEEN
  29. Sylvie
  30. FIFTEEN
  31. Thomas
  32. SIXTEEN
  33. Sylvie
  34. SEVENTEEN
  35. Thomas
  36. EIGHTEEN
  37. Sylvie
  38. NINETEEN
  39. Sylvie
  40. TWENTY
  41. Thomas
  42. TWENTY-ONE
  43. Sylvie
  44. TWENTY-TWO
  45. Thomas
  46. TWENTY-THREE
  47. Sylvie
  48. TWENTY-FOUR
  49. Thomas
  50. TWENTY-FIVE
  51. Sylvie
  52. TWENTY-SIX
  53. Thomas
  54. TWENTY-SEVEN
  55. Sylvie
  56. TWENTY-EIGHT
  57. Thomas
  58. TWENTY-NINE
  59. Sylvie
  60. THIRTY
  61. Thomas
  62. THIRTY-ONE
  63. Sylvie
  64. THIRTY-TWO
  65. Thomas
  66. THIRTY-THREE
  67. Sylvie
  68. THIRTY-FOUR
  69. Thomas
  70. THIRTY-FIVE
  71. Sylvie
  72. THIRTY-SIX
  73. Thomas
  74. THIRTY-SEVEN
  75. Sylvie
  76. THIRTY-EIGHT
  77. Sylvie
  78. THIRTY-NINE
  79. Thomas
  80. FORTY
  81. Sylvie
  82. FORTY-ONE
  83. Sylvie
  84. FORTY-TWO
  85. Thomas
  86. FORTY-THREE
  87. Sylvie
  88. FORTY-FOUR
  89. Sylvie
  90. FORTY-FIVE
  91. Thomas
  92. FORTY-SIX
  93. Sylvie
  94. FORTY-SEVEN
  95. Sylvie
  96. FORTY-EIGHT
  97. Sylvie
  98. FORTY-NINE
  99. Thomas
  100. FIFTY
  101. Sylvie
  102. FIFTY-ONE
  103. Thomas
  104. FIFTY-TWO
  105. Sylvie
  106. ACKNOWLEDGMENTS
  107. QUESTIONS FOR DISCUSSION
  108. connect online
  109. What’s next on your reading list?

“Ready?” the vet asks.

“Yes.” I bury my face in Chris’s neck and murmur, “We’re together in that forest and the air smells of evergreen and sap. There are birds, every color, and their songs float through the air. We listen to them; happy because we’re together . . .” Slowly, Christopher Robin’s eyes close for what I know will be the last time . . .

In the end, her death is peaceful and about her, not me. The vet leaves me to sit with her while Sylvie takes care of the paperwork. Chris will stay here, be cremated, and then I’ll take her ashes into the forest we imagined together so that she can be at rest outside.

On the drive back to the hotel, Moose puts his blocky head on my shoulder like he knows I just lost my best friend and I cry into his fur. When Sylvie turns off the car, neither of us gets out. Unsure, I ask, “What do we do now?”

“I guess you get your things from the room and we go our separate ways.”

“What if . . . What if I’d rather not? Go our separate ways.”

She firmly shakes her head. “One of my many therapists told me that I avoid intimate relationships because I believe intimacy, kindness aren’t deserved. Maybe she’s right and I should stop avoiding it, but I would rather be alone than judged.”

“What if I promise not to do that anymore?”

“Can we decide next steps tomorrow, when we can both think more clearly?”

I nod. “I’ll get my things and book another room.”

She opens the car door, gets out, then turns back to me. “It’s been a really rough day. We can stay together, if you want company.”

That night we sleep in the same bed. Before dawn Sylvie’s arms wrap around me while I cry for the pain and terror my dad and Deacan felt drowning, the truth about my mother, and the loss of Christopher Robin, whom I chose.

FORTY

Sylvie

The dream is much the same . . .

The ocean wave, ornate castle, and a treasure I don’t understand. Except this time when I free the snow globe, there are tendrils of blood inside it. The wave hits. The globe is torn from my hands . . .

When the water recedes, I’m on the familiar street of past dreams, the snow globe nestled in the crook of my arm. The honeyed scent of roses is carried on a warm breeze, but beneath their perfume I now smell rot . . .

I turn the corner, past the shingled house, the dog, Boone, and the neighbors. All watch with wet eyes as I continue down the sidewalk to the house at the end of the street, each slow step punctuated by the staccato of my pounding heart . . .

I stop in front of a gate fashioned from pieces of driftwood, unlatch it, and walk to a gray door, reach for a dented bronze knob. Terror snakes around my body, loosens my bladder. The globe slips. Before it hits the ground, invisible hands grasp my shoulders and the now recognizable woman’s voice beseeches: Come out . . .