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Contents ( 28)
  1. SHOPAHOLIC TO THE STARS
  2. Sophie Kinsella
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. The Missouri Echo
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. THE SHOPAHOLIC SERIES
  28. OTHER BOOKS

‘OK. So this is for the older Mrs Bridges. I need a hem in the bottom, half an inch. You should use slipstitch for these garments,’ she adds. ‘I’m sure Deirdre told you that. Did she show you the attachment?’

‘Absolutely.’ I try to sound professional. ‘Slipstitch. Actually, I’m just on my way to get a coffee, so I’ll do that later.’ I put the shirt down next to a sewing machine. ‘Lovely to meet you—’

‘Jesus Christ!’ The girl erupts and I jump in fright. ‘You won’t do it later, you’ll do it now! We’re shooting! This is your first day and you come in with that attitude?’

She’s so scary I take a step back.

‘Sorry,’ I gulp.

‘Well, do you want to start?’ The girl nods towards the sewing machines, then folds her arms. I have no way out of this. None.

‘Right,’ I say after a pause, and take a seat in front of one of the sewing machines. ‘So.’

I’ve seen Mum using a sewing machine. And Danny. You just put the material under the needle and push the pedal. I can do this.

My face hot, I cautiously insert the shirt into the sewing machine.

‘Aren’t you going to pin it?’ says the girl critically.

‘Er … I pin as I go,’ I say. ‘It’s just the way I do it.’ Experimentally I press the pedal, and thankfully the sewing machine whirrs along vigorously as though I’m an expert. I reach for a pin, shove it into the fabric, then sew a bit more. I think I look pretty convincing, as long as the girl doesn’t come anywhere near me.

‘Do you want to pick this up in a minute?’ I say. ‘I could bring it to you, maybe?’

To my relief, there’s a crackling sound from her headset. She shakes her head impatiently, trying to listen, then steps outside the room. At once I stop sewing. Thank God. Time to make a run for it. I’m halfway out of the chair when the door swings back open and, to my horror, it’s the girl again.

‘They want some pin-tucks down the front as well. Did you finish the hem?’

‘Um.’ I swallow. ‘Nearly.’

‘So, finish it and put in the pin-tucks.’ She claps her hands. ‘Come on! They’re waiting! Now!’

‘Right.’ I nod, and hastily start up the sewing machine again. ‘Pin-tucks. Coming up.’

‘And two extra sleeve tucks at the shoulder. You can do that?’

‘Sleeve tucks. No problem.’

I briskly sew a seam, then turn the blouse and sew another seam. She’s still watching me. Why is she still watching me? Doesn’t she have anywhere else to go?

‘So,’ I say. ‘I’ll just … put those tucks in.’

I have no idea what I’m doing. I’m pushing the shirt back and forth, criss-crossing seams all over it. I don’t dare stop; I don’t dare look up. I’m just willing the girl to leave. Go, please go … please, please go …