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Contents ( 28)
  1. SHOPAHOLIC TO THE STARS
  2. Sophie Kinsella
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. The Missouri Echo
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. THE SHOPAHOLIC SERIES
  28. OTHER BOOKS

It’s true, it is pretty phenomenal. There have been wall-to-wall trailers for the last two days, for what they’re calling The Big Showdown: Lois Meets Sage. They were on this morning while I was making coffee, but we turned the telly off because it was all getting a bit too much.

(Well, in fact, Suze threw her phone at the telly and yelled, ‘Shut up! Shut up!’ So I zapped it off.)

‘So are you watching?’

‘I will be!’ I say, hastily turning on the in-car TV. ‘I’m in the car but I’ll be watching it in here. I can’t wait. I’m sure you’re amazing in it.’

‘I’m awesome,’ says Sage in satisfaction. ‘So the other thing is, I had this great idea for my premiere outfit tonight. You have to come over and help me with it. Where are you now? Could you be here in, like, fifteen minutes?’

‘Fifteen minutes?’ I stare at the phone. ‘Well … no. Sorry. I have some stuff I have to do this morning. It’s kind of a family emergency.’

‘But you’re styling me!’ says Sage, sounding affronted.

‘I know. I’m coming round later, remember? Can we discuss it then?’

There’s silence down the phone. Oh God. Is Sage pissed off?

‘What’s the idea?’ I say hastily. ‘I bet it’s brilliant.’

‘I can’t tell you. I have to show you.’ She gives a huffy little sigh. ‘OK, if you really can’t come now I guess we’ll meet later. You’ll be, like, totally oh my God.’

‘Wow! Sounds amazing. I’ll see you later. OK?’

I ring off and turn up the volume on the TV. It’s showing a weather report for the East Coast and I find myself wondering if Dad and Tarkie could have got on a plane.

No. They wouldn’t do that. Would they?

Even though I’m sure both Mum and Suze are overreacting to the situation, I feel a little chill. People you love shouldn’t disappear, simply telling you vaguely they have ‘something to put right’. They shouldn’t do that.

Suddenly I realize the Camberly show is starting. The familiar titles are zooming over the screen and shots of Camberly in evening dress and running along the beach with her dog are flash-cutting with shots of her famous white house, where it’s ‘filmed’. (It’s really filmed in LA, on a studio set. Everyone knows that.) Normally, there are several sections in the show. There’s an interview and a song and a cooking slot, and often a competition. But today is a ‘special’. It’s all about Lois and Sage. As soon as the music dies away, the camera focuses on Camberly, looking sombre, and a backdrop of Sage’s and Lois’s faces blown up, glaring at each other. It all looks very dramatic.

‘Welcome to my home,’ Camberly says, in serious tones. ‘And to a unique and momentous hour-long special. Sage Seymour. Lois Kellerton. Meeting for the first time since their infamous encounter at the ASAs. We’ll be back after this.’

Music plays again, and the titles swoosh around the screen. I stare at it in slight outrage. An ad break already? I will never get used to American telly. Yesterday I started watching an advert and it went on for twenty minutes. Twenty whole minutes! (It was quite good, though. It was all about this brilliant barbecue grill thing, which gives you a ‘restaurant-quality finish’ with none of the calories. I wrote the number down, actually.)