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Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

Oh, the way she brushed my hair out of my eyes . . . “Dai, he won’t notice if I’m gone for a moment.” She slipped out the door and into the hall.

“If you went missing, I’d notice in a blink.”

She shook her head but offered her elbow.

Up in Margherita’s room—no bigger than the pigment closet in my old Florentine workshop—she closed the door behind us and started untying her bodice. “We only have a minute.”

I took her hands and said, “Spending only a brief time on such divinity would be worse than spending only one day painting an altarpiece. I prefer to wait until I have unlimited time, my lady.” (And if you believe that, then I have an ancient statue of a sleeping cupid I’d like to sell you.)

As she relaced her bodice and I straightened the trifles on her cabinet—hair combs and tweezers, vermillion for lip pigment, and powders made of white lead and mercury—I told her how I’d unveiled my work that day, and how the other painters were fired, and I’d been hired to decorate the papal apartments by myself, and how the pope told me that he wanted each of the four walls of his library to correspond to a different subject of his books—one for Religion, one for Law & Virtue, a third for Poetry, a fourth for Philosophy—and how I wanted to use one of those walls to finally paint the world’s first perfect painting.

She said, “Where would you even start to accomplish such a thing?”

I opened my mouth to tell her that I would start by perfecting my fresco technique on the ceiling, and then perfecting composition and perspective on the Religion wall, shadow and balance on Law & Virtue, color and rhythm with Poetry, and then put it all together on my Philosophy wall, all painted directly into wet plaster in perfect buon fresco—not a single mistake corrected in a secco on the dry wall—with every brushstroke perfectly applied, and thereby create a painting so perfect that it would bend the Vatican, bend the city, bend the peninsula, bend the entire world toward beauty. But instead of saying all of that, I took a deep breath and said, “Where do I start? I have no idea.”

Chapter XXIII

Chapter XXIII