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Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

Now, it was time to work. I only had a small tondo, but as Plato said, “Better a little well done, then a great deal imperfectly.” Yes, the designs were already dictated, but like any artist worth his wine, I was determined to improve upon them. I maintained Justice’s traditional pose—right arm raised and wielding a sword, the left holding a scale—but twisted her knees hard like a Michelangelo. I retained the prescribed clouds but made the putti weightier. I used the suggested color scheme—golds, creams, purples, green, red—but to find the best tints and tones for the light in that room, I spent days sticking chips of colors on the ceiling and lying on the scaffolding to watch the sunlight sweep along them like a boy watches clouds cross the sky. I also threw out the face of Justice in the dictated designs. I knew who I wanted to use as my model, but when I tried to recall her . . . Was her nose straight or did it curve at the end? Was it as small as I remembered or was that a trick of my imagination? How did her cheeks turn? I searched the foggy backwaters of memory, but everything was a haze.

Was even the memory of my mother gone?

I drew an idealized face: high forehead, arching brows, down-turned eyes, straight nose, curved lip, strong chin, but at least I managed to capture a bit of her spirit in that image—kind, yet strict, loving in her demands, fair in her delivery of justice, a spirit powerful enough to bend the entire world toward beauty.

But my opinion didn’t matter, did it? Artists’ opinions never matter, do they? No. It’s only the opinion of the patron that counts, so in this case, the only opinion that mattered was that of the pope.

Chapter XXI

Chapter XXI

1509

The pope is coming! The pope is coming! To view our work, the pope is coming!” You’ve never seen tarps bundled so hastily, buckets stored so quickly, or scaffolding pulled down in such a rush. Mother Mary forbid the pope see that frescoing took work.

“Why didn’t I paint faster?”

“I haven’t had time to add the gold leaf yet.”

“Can he hang me for painting ugly?”