Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

“Because,” Chigi said, “Bramante and Raphael are subjects of the duke. So . . .”

“So?” said Margherita sitting up straight.

“So, they’ll be held responsible for his crimes.”

“But that’s not fair,” said Margherita. “Raphael wasn’t even in Bologna.”

Imperia put her hand on Margherita’s arm. “When your country’s leaders do something good, you get to celebrate the victory as your own, so why shouldn’t you share in the blame when they do something bad?”

“It’s every patriot’s duty to bear,” said Chigi grimly.

My fingers missed a beat, and I dropped my father’s paintbrush. I picked it back up as I thought about what it might mean to be an Urbinite at this moment—the whispers, the loss of work, loss of friends. Would we be asked to leave the pope’s service? Asked to leave Rome altogether? And then, my fingers started twirling again with a new worry: my portrait of Cardinal Alidosi—ordered in secret by the duke, given to the pope as a gift, hung over the pope’s own bed—hadn’t somehow been a part of this plot, had it? No, no. I started pacing again. Uno, due, tre, quattro, uno, due, tre . . . That portrait was nothing—nothing. Uno, due . . . Right? Tre, quattro . . . I had no blame in this. Uno, due, tre . . . Did I?

Chapter XXXVIII

Chapter XXXVIII

June 26, 1511

Pope Julius’s beard was long, scraggly, the color of salt. His eyes cast downward. His mouth drooped. When he’d marched out of Rome a year before, he’d ridden atop a stallion with pride, but now, he was tucked into a slow-moving carriage surrounded by a tattered army. Lances dragged, cannons stuck in mud, carts carried piles of wounded. This time, we courtiers didn’t stand on grand platforms draped in flag and song but stood solemnly in our mourning browns, as the crowd wailed. Packed in with the others, I was unable to move so couldn’t count my steps; I tapped my foot instead—uno, due, tre, quattro—any-thing to calm my mounting disquiet. During the campaign, the papacy had lost territory in Ferrara and Bologna, the lives of countless men including Cardinal Alidosi, and even the faith of the faithful: a group of cardinals were now calling for a schismatic council to declare His Holiness unfit for rule and depose him.

My perfect world had collapsed under the weight of reality.