Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

“Oh, Raphael,” called the pope.

I stopped and turned back.

“The papal apartments are that way.” Pope Leo pointed down the hall in the direction of my Disputa, my Philosophy, my Heliodorus . . .

“I know, Your Holiness, but I already said that’s not where I want to take you today.”

“It’s not?” The surprise in the pope’s tone was echoed by the murmurs of cardinals.

“Not unless you’ll allow me to keep two apartments worth of paintings?”

The pope smiled. “One apartment is quite enough.”

“In that case, Your Holiness,” I said, “while I dearly hope that you decide to keep those paintings for your own pleasure, there are others that are more important to save.”

His Holiness and Michelangelo exchanged looks, but the pope turned to me and, with a tone of curiosity, said, “Then by all means, young man, lead the way.”

Chapter LXIII

Chapter LXIII

As I led them downstairs and into a dim, stone hallway, the pope sneezed from all the dust. “You realize that if your paintings are stored down here in secret, Santi, Michelangelo might not have known to destroy them?”

The coterie of cardinals chuckled. My mouth was too dry to swallow. I felt slow, as if wading through a bucket of plaster, but when I put my hand on the bronze door handle, crusted with teal, the color of Botticelli’s sea in his Birth of Venus, the thought of my old hero gave me the courage to push open that door. Margherita and I had snuck in the day before to prepare those rooms: we’d removed all the tarps; dusted floorboards, moldings, furniture, ceiling, walls; and opened the windows wide. Daylight slathered the room in a thick glaze, making the frescoes on those walls dazzle brighter than polished plates at a Chigi feast.

At the sight of those walls, one cardinal stopped short. Others piled up behind him. Lips parted. Fingers pointed. Necks craned. I wondered how many of those men—working and politicking in the halls of that very palace—had never laid eyes on those frescoes. Pope Leo, who’d been made cardinal when he was only thirteen years old, had no doubt seen them going up on those walls. His eyes widened with recollection as he walked from wall to wall, room to room, drinking in Pinturicchio’s masterpieces in the old Borgia apartments.