Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

While I twirled the thought of the pope’s official portrait in my head instead of twirling my father’s old paintbrush, the guards hurried the pope toward safety in the Castel while a few of us stopped briefly in the Sistine to fetch Michelangelo. But that sculptor is never so amenable to other people’s plans, is he?

“I’m not leaving my work unprotected,” he called down from the scaffolding. “If the French destroy this building, my frescoes will go down with it. I’ll stay behind and fight them off, one by one, if I have to.”

Felice pled—“Michel, it’s not safe here. You have to go. We’re all going. Please”—but Michelangelo waved her off and disappeared back up his scaffolding.

As we exited the chapel without him, I sighed with relief; maybe the assassins would burn down the Sistine with Michelangelo in it, and I would get the portrait by default. At least, I would be safe. But as I started to follow the others down the Passetto, Felice grabbed my arm. “What are you doing?” she hissed. “You’re supposed to peel away and go back.”

“That was only if Michelangelo went with you.”

“You still have to find a way to see that ceiling.”

“You expect me to break into the Sistine?”

There was that look again. “If it were that easy, I’d do it myself,” she said, pushing at my chest, away from the exit, away from the Castel, away from safety. “You’re going to have to convince him to invite you up.”

“You’re turned by the tides.”

“Now’s your chance. When the Vatican is empty, his guard will be down.”

“His guard is never down.”

“Rafa,” she said, nudging me like one courtier daring another outside a maid’s window. “If anyone can convince him, it’s you. After all, I’ve heard, the great Raphael can charm anyone.”

Chapter XLVII

Chapter XLVII

Michelangelo was an admirer of Dante. Perhaps I could sneak back to my personal rooms, scrounge up one of my bound copies of the Inferno, wave it in front of him and . . . No. He wouldn’t be deceived by that. Besides, what if I encountered the French army as I crossed the piazza? Michelangelo might feel sure of his prowess with a marble hammer, but I wasn’t so confident. Maybe I could light a torch, barge into the chapel, pretending to be an invader and . . . what? Make him even more paranoid? Maybe I could light the Sistine on fire and smoke him out. But if the pope discovered that I’d burned down his chapel, he’d burn me at the stake.