Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

“Because of that marble cupid you sold him. Told him it was a Roman antique?”

“He’s still angry about that?”

“You sold him a forgery. Wouldn’t you still be angry about that? ”

“It was my broker’s idea.”

“Beh, he blames you.”

“What about Bramante?” he asked.

“What about him?”

“Don’t you dine on Chianti and fresh moray every evening?”

I laughed. “Can you imagine sharing a drink with Bramante?”

“What about your assistants?”

“Who? Lotto and Sodoma?”

“And the others.”

“I like them, but they’re my employees, and they treat me as such.”

He sighed. “Granacci started treating me like I was his boss. It was awful.” Even though he was obscured in shadow, I could now see him cork his flask and roll it across the boards to me. It landed against my leg. I picked it up—small, round, glass, with a crest etched into one side. I ran my thumb over that crest: five balls in a pointed semicircle with a crown on top. The Medici crest. I said, “You really grew up at the Medici palace, didn’t you?”

“Grew up is an exaggeration.” I could hear the shrug in his tone. “Lived there from fourteen to . . . about four or five years.”

I uncorked the flask and sniffed it. Wine so watered it smelled pink. “By the time I got to Florence, Il Magnifico had been gone a long time. What was he like?”

“You know how Leonardo from Vinci is impossible to describe without meeting him?”

“Of course.” I took a drink. The wine was warm, smooth, and soft.

“Same with Il Magnifico.” It surprised me—and gave me hope—when he kept talking unprompted. “He had enormous expectations, especially for his children. I’m lucky I wasn’t one of his real sons; it would’ve been impossible to live up to his hopes.” Despite his words, I could hear the longing in his tone. No matter what Michelangelo said, he’d wanted to be a Medici son. I wasn’t surprised when he changed the subject. “What about your family. Where are they?”

“Gone.”

“North?”

“Dead.” I recorked the flask and rolled it back. “My mother and sister died when I was eight. My father when I was eleven.”

“You’re an orphan?”

“I hate that word. Orfano. And it can’t only be my own bias; objectively it’s an ugly word, starting with that awkward o and that f in the middle interrupting the flow. It sounds like a curse.” I barked out an awful whoop that echoed awkwardly through the empty chapel. It was supposed to be a laugh.

He didn’t laugh with me. “Your entire family is gone?”

“I have an uncle. And . . .” Who else, who else? “My father’s old assistant.”

“Your father’s old assistant.” The way he said it made it sound pathetic.