Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

The town of Città di Castello had the same hills, same climate, same accents, same colors as Urbino. Living in a place that reminded me of home usually gave me comfort, but that day, I couldn’t quell my apprehension. As Tessa and I crossed town, I counted every step—uno, due, tre, quattro, uno, due, tre, quattro—but when we arrived at the church of San Francesco, my foot landed on the top stair on a count of three. There wasn’t enough room to squeeze in another step. Not even a small one. On a day as important as that, would you have entered on an ill-fated count of three? “Wait,” I said and turned to walk away from the door.

Tessa exhaled, “Rafa . . .”

“Sevens are luckier than fours.” I walked back toward the entrance. “Uno, due, tre, quattro, cinque, sei, sette.” With the last step, I landed beside Tessa again. I took her hand. “Andiamo.”

Inside the old church of San Francesco, the morning light was warm and bright. Up ahead to the right, a group of men gathered around an ornate chapel. My heart thumped in the side of my neck. Was my teacher Perugino among them?

As I started to hurry up the nave, Tessa admonished, “Rafa, for holy’s sake.”

Dutifully, I backed up, dipped my finger into the font of holy water, crossed myself, genuflected, and then stood to hurry down the aisle.

“Slow down.” She took a ceremoniously long time blessing herself.

“Per favore.” The longing in my voice finally moved her. She took my hand and let me lead her into the church.

As we approached the group of men gathered around the altar, Tessa giggled. I shushed her. She said, “Rafa, let me be excited,” but I wasn’t listening.

I was scanning faces. Was he there? There? No, no, where . . .? Finally, a man turned. He had the ruddy cheeks, ropy brown hair, and determined frown of a face I knew well: Pietro Perugino. He’d come. I’d grown taller and into my shoulders since I’d seen him last, but still felt like a child when he said, “Raffaello Santi of Urbino.”

“Maestro Perugino.” I released Tessa’s hand and bowed. “Whatever successes I have, the credit goes to you.” I breathed slowly. Would he praise me or dismiss me? Would he call me master? Would he hand me the keys to his studio, like Christ giving the keys to St. Peter?

Before Perugino could offer his verdict, two ladies stepped up. I’d already met—all right, more than met—the one with eyes the color of a frozen lake. She curtseyed and said, “Signor Raphael Santi, may I present my sister . . .”

The other shoved a piece of paper at me. “Per favore, may I have a drawing?”