Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

Are you the sort of person who can do eight things at once— painting, eating, squashing a bug with your heel, all while carrying on a conversation? Have you ever seen Leonardo da Vinci paint with one hand, play a lute with the other, all while dancing and telling a joke? I’m no juggler. If I’m focused on something, I focus only on it. The rest of the world fades away. I used to think that everyone was the same as me, but now I know better. Sometimes, I wish we all functioned the same, so we didn’t have to explain ourselves to one another. If we all acted the same, thought the same, were the same, then life would be simpler. Life as it should be . . . Right?

“Rafa!”

I turned to face Tessa, standing in the doorway, looking annoyed. She was a servant from the duke’s quarters in Urbino who’d come with me to keep my house in the Castello. I said, “You’ll have poetry this evening, mia cara, but right now . . .” I turned back to my painting, tugged up both sleeves, rolled my wrist—uno, due, tre . . .

“You said you were taking me to church today,” her voice went up like a question.

I stared blankly. Then, oh! I knocked over my tray. “Persephone!” How was I supposed to become the greatest painter, if I couldn’t even keep a tray steady? I scrambled to pick up my brushes and began reordering them from shortest to longest.

“Rafa, per favore, amore, I know you’re nervous . . .”

“I’m not nervous.”

Sì certo, I was nervous. I was twenty-one years old, and after years of painting Madonna after Madonna after Madonna, I’d finally unveiled a work that had captured attention. And today, my former teacher, Perugino, was coming to view that work. Today, I would find out: would he finally call me maestro? Or not. I placed the brushes back on the tray in a neat row. I straightened the first brush, then another and another.

Tessa sighed. “Rafa, today’s more important than . . .”

“I know how important today is,” I said, straightening the last two brushes and crossing to the mirror. I tucked my hair behind both ears, ran my fingers across my eyebrows, and checked my nose and mouth for dregs. Yes, people call me handsome (high forehead, oval eyes, strong jaw, the whole traditional look), but—as my mother always said—handsomeness without cleanliness is wasted.