Back Love and Other Lies Save as PDF
Chapters (61)
  1. Cover
  2. Dedication
  3. Imagine a girl
  4. Prologue
  5. The Foreigner
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. The Skeptic
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. Thirteen
  20. Fourteen
  21. Fifteen
  22. Sixteen
  23. Seventeen
  24. Eighteen
  25. Nineteen
  26. Twenty
  27. Twenty-One
  28. Twenty-Two
  29. Twenty-Three
  30. The Spectator
  31. Twenty-Four
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. The Assassin
  38. Thirty
  39. Thirty-One
  40. Thirty-Two
  41. Thirty-Three
  42. Thirty-Four
  43. Thirty-Five
  44. Thirty-Six
  45. Thirty-Seven
  46. Thirty-Eight
  47. Thirty-Nine
  48. Forty
  49. Forty-One
  50. The Hunter
  51. Forty-Two
  52. Forty-Three
  53. Forty-Four
  54. Forty-Five
  55. Forty-Six
  56. Forty-Seven
  57. Imagine a girl
  58. Acknowledgments
  59. About the Author
  60. Also by Ben McPherson
  61. About the Publisher

I looked about me. The room was entirely bare, save for the chairs and the table.

“What kind of room is this?”

“Please sit down.”

She walked out through the door and shut it.

I chose a chair and sat down.

Two gobbets of chewing tobacco on the carpet by the table, still slick.

Those men.

Here.

In this room.

I could hear computer keys clacking in the office beyond. The door must have opened. I looked up to find eyes appraising me. A bald man, dark-skinned and powerfully built, in a pressed white shirt. He crossed the floor at a brisk pace, stood facing me, a shade too close.

The door hissed shut.

“Ephraim Tvist. Chief of police.” He grasped my hand.

“Cal Curtis.”

“And you are a . . .”—he looked down into the corner as if trying to remember a complex detail, snapped his fingers—“a satirist?”

“I try to be.”

Ephraim Tvist smiled. “The world needs laughter. No?”

“Laughter is a by-product of satire,” I said. “It isn’t really the point of it.”

“So if the point is not laughter . . .”—he let go of my hand—“then what?”

“It holds people in authority to account.”

“Ah.”

He turned away, sat in one of the chairs, waited for me to join him. I sat down. He turned on a recording device, satisfied himself that it was working. His lively dark eyes came to rest on mine. “A man who uses humor as a way of dealing with the most horrific aspects of human existence. Our greatest fears. My own greatest fear is an armed man walking into my daughter’s kindergarten. I have some idea of what you must be feeling.”

I laughed.

“I wonder, Mr. Curtis, is that a satirical laughter? Or is it an angry laughter? Perhaps a satirical laughter is an angry laughter?”

“This is an interrogation room.”

A shrewd look from Tvist. “An explanation for your anger.” He looked very deliberately at my hands, then at my face, as if making an assessment. “Yes. This is an interrogation room.” He got up, opened a window blind. He turned to me and smiled. His voice was quieter now, more intimate. “The idea is that the architecture is open, and that instead of facing each other across a desk, we sit as if we are having a nice coffee, and our suspects—and I really want to stress that you are not a suspect, and that you are not being ‘interrogated’—our suspects know all this, because we explain the internal geography of the room to them. It’s all so very open and Scandinavian.”

“You provide them with chewing tobacco?”

“Worthy of satire, I’m sure. And yet they feel inclined to share their guilt.”

“So what have the Andersens told you?”

He made a noncommittal gesture. “These are early days. We are analyzing the attack cycle. They are not being cooperative.”

I laughed.