Back Love and Other Lies Save as PDF
Chapters (61)
  1. Cover
  2. Dedication
  3. Imagine a girl
  4. Prologue
  5. The Foreigner
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. The Skeptic
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. Thirteen
  20. Fourteen
  21. Fifteen
  22. Sixteen
  23. Seventeen
  24. Eighteen
  25. Nineteen
  26. Twenty
  27. Twenty-One
  28. Twenty-Two
  29. Twenty-Three
  30. The Spectator
  31. Twenty-Four
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. The Assassin
  38. Thirty
  39. Thirty-One
  40. Thirty-Two
  41. Thirty-Three
  42. Thirty-Four
  43. Thirty-Five
  44. Thirty-Six
  45. Thirty-Seven
  46. Thirty-Eight
  47. Thirty-Nine
  48. Forty
  49. Forty-One
  50. The Hunter
  51. Forty-Two
  52. Forty-Three
  53. Forty-Four
  54. Forty-Five
  55. Forty-Six
  56. Forty-Seven
  57. Imagine a girl
  58. Acknowledgments
  59. About the Author
  60. Also by Ben McPherson
  61. About the Publisher

I stepped toward Tvist. “You need to seize this material. If it goes out, it’s going to imperil my family.”

Tvist turned to the camera team. “Stop filming.”

The cameraman near me put down his camera.

“Begge to,” said Tvist. Both of you.

Tvist looked at the second cameraman. You could feel the man’s reluctance; the instinct for a story trilling in his blood. Tvist nodded toward a policewoman, who stepped forward. The second cameraman put down his camera.

“Cal,” said Tvist, “we are going to take you to a place of safety.”

People were turning. I looked down at the Glock, lying a meter or so from me. I crouched beside it.

“Whatever the provocation,” said Tvist, very quietly, “don’t.”

I sensed fingers tightening on triggers. I looked up, into the faces of armed police, their rifles shouldered, ready. I ignored the rifles. Something had broken in me, I thought. This last year had been too much. I looked down at the pistol on the grass.

Vee was at my side.

“Dad,” she said softly.

That look on my daughter’s face: so adult. She crouched down beside me, brought her face very close to mine.

“Dad, stand up.”

“All right.” I stood up.

I looked about me. All around me rifles were shouldered. I raised my hands.

“Step away. It’s okay.” Tvist’s voice. I turned, met his gaze, nodded.

Vee was fast. She reached down, picked up the pistol. She stood.

Those rifles, trained on my daughter now.

“Vee,” I said. “No.”

“What are they going to do, Dad?” She turned toward the police. “Are you guys even allowed to shoot me?”

She began to walk, the pistol in her right hand, her intention clear.

“Stop this girl,” shouted John Andersen. “You must stop her.”

The police were looking to Tvist for guidance.

“Viktoria,” said Tvist. “Viktoria, you must stay where you are.”

Vee walked briskly past Tvist, past John Andersen.

Everything else was still. Every eye was on my daughter. She stopped a pace in front of Bror, a little to the side. She began to raise the pistol.

I looked about me in terror, waiting for the rifle shot that would end this.

Vee paused, the gun at Bror’s chest, as if she too were surprised by her action. The gun swayed in her hands, and for a moment I thought this was no more than a child’s game.

Bror smiled a lacerating smile.

“No,” he said, “I didn’t think so.” He turned to the nearest police officer, held his hands together at the wrists. “Skal vi?”

Fingers hovered on triggers. All eyes on Bror.

“Shall we?” said Bror, this time in English.