Chapters (60)
- Cover
- Title Page
- Personae
- I: Early Days
- One. Control
- Two. Doubt
- Three. Fate
- Four. Same
- Five. Fine Arts
- Six. In Loco Parentis
- Seven. Settling
- Eight. Neighbors
- Nine. Prospects
- Ten. The Lucky
- Eleven. Instruction
- Twelve. Same
- Thirteen. This Is a Pipe
- Fourteen. This Is Not a Pipe
- Fifteen. The Reason
- Sixteen. That Person
- Seventeen. Predictably
- II: Writing Teacher
- Eighteen. Early Poems
- Nineteen. Motivation
- Twenty. Allegory
- Twenty-One. Grief
- Twenty-Two. A Portrait
- Twenty-Three. Veils
- Twenty-Four. Soft Power
- Twenty-Five. Lists
- Twenty-Six. A Break
- Twenty-Seven. Elsewhere
- Twenty-Eight. Custom
- Twenty-Nine. Parity
- Thirty. Fortune
- III: Volta
- Thirty-One. Images
- Thirty-Two. A Very Interesting Young Man
- Thirty-Three. Letters
- Thirty-Four. We Prefer to See Ourselves Living
- Thirty-Five. Love
- Thirty-Six. The Iceberg
- IV: Your Best Reader
- Thirty-Seven. A Novelist
- Thirty-Eight. In Advance of the Broken Arm
- Thirty-Nine. Their Penultimate Encounter
- Forty. Détente
- Forty-One. Worlds
- Forty-Two. Recognition
- Forty-Three. Persistence
- Forty-Four. And Then
- Forty-Five. Mingling
- Forty-Six. You
- Forty-Seven. Persona
- Forty-Eight. Est et Non
- Forty-Nine. The Author
- Epilogue
- Afterword: The Libertine
- Acknowledgments
- About the Authors
Evelyn has driven them back to her split-level. There is a plate of saltines on the table. They have Diet Coke and rum with crushed ice.
“The radical bath,” Loudermilk repeats. “The lack of a room.”
“You just tell everybody to leave!” Evelyn takes a tug on her straw and sucks her molars. She sits there like she is waiting for them to say something.
“What would you offer?” Loudermilk puts it this way.
“For rent? Oh, that’s fixed. That’s been fixed for a long time.” Evelyn wrinkles her nose.
“What would you be asking?” Loudermilk causes his face to fall open into a tender mask.
“Five hundred is only fair.”
Loudermilk is masticating a saltine, and he uses the presence of this snack in the vicinity of his epiglottis to initiate a spirited choking routine. He struggles to his feet and hacks the item up onto Evelyn’s kitchen floor.
Evelyn takes this in stride, telling Loudermilk where he can find a wet rag.
Tears stream from the corners of Loudermilk’s eyes. “We’ll give you two-fifty,” he croaks. He squats and scoops up the regurgitated cracker.
“Honey, I’m afraid that’s an insult.” Evelyn jiggles her ice.
“Fine. Three. But throw in a shower curtain.”
Evelyn chews ice. “Ha!” she says. “Done. Wash your hands. I’ll get the lease.”
When she is gone, Harry tells Loudermilk that he needs to ask about the onion smell.
“You ask about the onion smell.”
“I’m not the one who wants to live there.”
“How about, dude, I don’t know what smell you’re referring to?”
“It’s wild garlic,” Evelyn calls from the other room. She comes back. “Try digging it up sometime!” She drops the lease on the table and brings her chair closer to Harry’s. “You always do that to your face?”
Eight. Neighbors
Eight
Neighbors
Another night has expired. Crete is born muggily anew. It’s a dim day, a morning for murders. Harry is on the lawn outside their newly acquired crumbling Cretan abode. He was brought out of bed and shack by sounds of life across the street—expletives, howls—and now he is pretending to putter around the lawn. He and Loudermilk are receiving someone’s nationalist tabloid, The Sentinel. Harry scoops it up. Across the way are shirtless people. They throw beanbags into a hole in a box, their upper arms sleek with baby fat that has lately offered itself up for fraternity brands. It’s 10:00 a.m.