Chapters (60)
- Cover
- Title Page
- Personae
- I: Early Days
- One. Control
- Two. Doubt
- Three. Fate
- Four. Same
- Five. Fine Arts
- Six. In Loco Parentis
- Seven. Settling
- Eight. Neighbors
- Nine. Prospects
- Ten. The Lucky
- Eleven. Instruction
- Twelve. Same
- Thirteen. This Is a Pipe
- Fourteen. This Is Not a Pipe
- Fifteen. The Reason
- Sixteen. That Person
- Seventeen. Predictably
- II: Writing Teacher
- Eighteen. Early Poems
- Nineteen. Motivation
- Twenty. Allegory
- Twenty-One. Grief
- Twenty-Two. A Portrait
- Twenty-Three. Veils
- Twenty-Four. Soft Power
- Twenty-Five. Lists
- Twenty-Six. A Break
- Twenty-Seven. Elsewhere
- Twenty-Eight. Custom
- Twenty-Nine. Parity
- Thirty. Fortune
- III: Volta
- Thirty-One. Images
- Thirty-Two. A Very Interesting Young Man
- Thirty-Three. Letters
- Thirty-Four. We Prefer to See Ourselves Living
- Thirty-Five. Love
- Thirty-Six. The Iceberg
- IV: Your Best Reader
- Thirty-Seven. A Novelist
- Thirty-Eight. In Advance of the Broken Arm
- Thirty-Nine. Their Penultimate Encounter
- Forty. Détente
- Forty-One. Worlds
- Forty-Two. Recognition
- Forty-Three. Persistence
- Forty-Four. And Then
- Forty-Five. Mingling
- Forty-Six. You
- Forty-Seven. Persona
- Forty-Eight. Est et Non
- Forty-Nine. The Author
- Epilogue
- Afterword: The Libertine
- Acknowledgments
- About the Authors
Loudermilk grins. He indicates his own face and torso. “I mean this. This! This fucking hard body, dude. This face. This physical being! You have to write the poems that, like, emerge, no, explode from the pen of this beautiful man. The artists don’t make art, man—the art makes itself through us. I’m not the doer, you know? I’m just along for the ride. It’s like you always said about the power of literature, like you can just fall into a book. We’ve got to get into that, like, harness it for real. We really have to hone our act. You and I, we’re gonna take over poetry! My face, your brains. My ideas, your, um, spirit or whatever. If it’s just you hermitting out in here, sniffing your stale jizz rags and contemplating your fart crumbs, that’s not really gonna happen, if you catch my drift. Those are not the true immortal themes, bro! Plus, you, for once in your existence, need to have a social life. Let’s win the war on mediocre mashing at least one geek lust object at a time.”
There’s a weird logic.
“Have another beer and stop with the I’m-pining-away-for-my-dorm-at-clown-college look,” Loudermilk advises. “I’m actually trying to help you. By the way, I just remembered something.”
Harry would like to know what this something is.
“OK, so, maybe you can tell me. What’s the difference between a vitamin and a hormone?”
Harry says nothing.
“Dude, as in, you can’t hear a vitamin?”
Thirteen. This Is a Pipe
Thirteen
This Is a Pipe
Loudermilk and Harry wander over to a place called the Common Lot, one block off the main boulevard dedicated to the inculcation of a new generation with the time-honored practice of alcoholism. Happy hour in the college town is in full effect. Girls stagger around in nothing but underwear: satin strings and miniature triangles. Males are wearing shirts that read CO-ED NAKED PANTIES ’03. They are falling down and dragging females with them.
Loudermilk is appreciative, but mainly he just steps stiffly around bodies. He seems preoccupied, keeping his eyes fixed in front of him. A team of three young women in tasseled pasties surround Loudermilk, but he brushes them off. Harry is wasted from the five beers he shot-gunned before they left.