Chapters (60)
- Cover
- Title Page
- Personae
- I: Early Days
- One. Control
- Two. Doubt
- Three. Fate
- Four. Same
- Five. Fine Arts
- Six. In Loco Parentis
- Seven. Settling
- Eight. Neighbors
- Nine. Prospects
- Ten. The Lucky
- Eleven. Instruction
- Twelve. Same
- Thirteen. This Is a Pipe
- Fourteen. This Is Not a Pipe
- Fifteen. The Reason
- Sixteen. That Person
- Seventeen. Predictably
- II: Writing Teacher
- Eighteen. Early Poems
- Nineteen. Motivation
- Twenty. Allegory
- Twenty-One. Grief
- Twenty-Two. A Portrait
- Twenty-Three. Veils
- Twenty-Four. Soft Power
- Twenty-Five. Lists
- Twenty-Six. A Break
- Twenty-Seven. Elsewhere
- Twenty-Eight. Custom
- Twenty-Nine. Parity
- Thirty. Fortune
- III: Volta
- Thirty-One. Images
- Thirty-Two. A Very Interesting Young Man
- Thirty-Three. Letters
- Thirty-Four. We Prefer to See Ourselves Living
- Thirty-Five. Love
- Thirty-Six. The Iceberg
- IV: Your Best Reader
- Thirty-Seven. A Novelist
- Thirty-Eight. In Advance of the Broken Arm
- Thirty-Nine. Their Penultimate Encounter
- Forty. Détente
- Forty-One. Worlds
- Forty-Two. Recognition
- Forty-Three. Persistence
- Forty-Four. And Then
- Forty-Five. Mingling
- Forty-Six. You
- Forty-Seven. Persona
- Forty-Eight. Est et Non
- Forty-Nine. The Author
- Epilogue
- Afterword: The Libertine
- Acknowledgments
- About the Authors
Loudermilk speeds up. “Don’t look back,” he says out of the side of his mouth. He pulls Harry around the corner. “Biblical, right? I’m saying, see, dude, aren’t you glad I didn’t leave you in there without supervision? I mean, home invasion much? Would you really put that past these shitcanned hyenas? Trust me that you’re way better off out here with me.”
Harry has to hold the eyeholes in place, otherwise they have a tendency to be tugged up to the top of his head when he walks. He lets Loudermilk steer him downtown.
Twenty-Four. Soft Power
Twenty-Four
Soft Power
Christy’s house, it turns out, is a pink affair. She has the whole bottom floor of a 1960s split-level, and wherever the walls are not covered with fake wood paneling, they’ve been painted a bright, labial blush. There are a couple of white-shag area rugs and, somehow, a crystal chandelier. A stuffed black squirrel with a head like a rotten chestnut clings quirkily to a stick atop one bookshelf.
The house is full of Seminars people. Loudermilk pats Harry on the head. “This is going to be fun for you, little Casper.”
Harry fusses with his eyeholes.
Christy makes them. “Oh my god, Big L? Is that you? Oh my god, Groucho? How funny! How adorable! You are so brilliant.”
“Thanks, babe.” Loudermilk takes it in stride. “Love that new haiku series, by the way. Been all over it this afternoon. Gotta email you later.”
Christy is posing. She is wearing sexy dead-person makeup, a vintage housedress with strategic scorching, and has the outer casing of what was once a toaster oven over her head. Harry doesn’t need to read the crazily inked extra-large title on the extra-large “book” in Christy’s left hand to know that it says Ariel. “C’mon, Loudermilk.” Christy pouts, admitting zero interest in the presence of Harry. “This should be easy for you!”
“Nice appliance!” Loudermilk fudges, rolling his eyes and wiggling the brows.
Christy giggles.
Loudermilk bangs Christy on the top of her oven several times with his cigar, saying, “I hope to see you again shortly.”
“Sure,” Christy replies, perhaps even wistfully, though it is difficult to be certain in the crush.
Loudermilk pilots Harry before him until they come to a table decorated with hard stuff of many shapes and shades. “Now, who the hell is she supposed to be, dude, because I know you fucking know.”
Harry shrugs.
“Oh, no, no, no! You need to let me in on this one. This is about our careers.” Loudermilk is reaching around among the bottles, checking labels.
“If I tell you who she is, then can I leave?”
Loudermilk is dumping quantities of tequila over an ice cube. “Stick that under your shroud.”
Harry receives the drink.
“Drink up and consider what you just said.” Loudermilk is fixing himself a double. “You’re stressing me out, you know that?”